Lupara

May 29, 2019

A Lupara is an 8mm sawn-off shotgun favored by La Cosa Nostra.

It’s also the name of a pasta dish.

Lupara, the shotgun not the pasta. [Licensed from Bluedog, without changes].
Interestingly, if you search for lupara recipes online you’ll only find a few and you’ll be hard-pressed to discover much commonality among the recipes.  Some are spicy.  Some are not.  Some have sweet peppers.  Some do not.  Some have tomatoes.  Some do not.  And most of them will be made with spaghetti.

I learned to make lupara at the Italian Culinary Institute.  It was among the first pasta dishes demonstrated during the early days of the three-month course.  Made with short, cut pasta, like rigatoni, this rendition pays tribute to the shotgun for which it is named.

Lupara, the pasta not the shotgun, as prepared at the Italian Culinary Institute.

Join our mailing list and you’ll never miss a recipe again!

This dish makes use of a Basic Tomato Sauce, just tomatoes and a few aromatics cooked briefly.  You can make the tomato sauce in large batches and freeze it or you can make it as needed.  Although the sauce can be used on its own in some dishes, it is deliberately not aggressively seasoned.  This allows it to be used in a variety of preparations, with some final additional flavoring, without the sense that the same sauce is being used over and over.

I know this seems a little out of order, but I will publish the recipe for the Basic Tomato Sauce next week  For my first blog post since returning from Italy, I wanted to feature a dish that grabbed my attention.  This one did.  It’s got a great story and a great flavor.  Basic Tomato Sauce is good but it isn’t captivating (unlike a pasta dish named after the “Mob’s” favorite weapon!).  Basic Tomato Sause is meant to play a supporting role in most situations and that’s just not the type of recipe that I wanted to start with.

Lupara on the stove at the Italian Culinary Institute.

This version of Lupara is intended to be spicy but spicy means different things to different people.  There are two ways to build spice into this pasta.  You can use one or both of them.  The first method is to add dried, ground red pepper (peperoncino piccante in polvere, in Italian) during the final assembly of the pasta.  The other is to add thinly sliced fresh hot pepper (peperoncino fresco) when sautéing the sausage.  Getting authentic Italian peperoncino, powdered or fresh, is difficult in the States.  You can substitute Cayenne pepper for the ground one and a variety of long, red (always red!) chile, such as Thai or Cayenne, for the fresh.

Follow us on your social media platform of choice
         

This recipe also calls for fresh porcini mushrooms.  These can be a challenge to find.  Feel free to substitute thinly sliced portobello mushrooms.  Though the flavor won’t be exactly the same, the dish will still be yummy!  If you are lucky enough to find fresh porcini, I suggest buying a heap, thinly slicing them, and freezing them.  They can be used in all sorts of cooked dishes, especially Trifulata which will hit the blog in the near future…as soon as I can find fresh porcini!! (You might notice portobello mushrooms in the pictures.)

This recipe requires a small amount of sausage.  It’s not a major player though it does add a nice meaty background note to the sauce.  Pick a good quality Italian-style sausage, sweet or hot.  I think that sausage with fennel seed adds a nice flavor but that’s a matter of personal taste.

Buon appetito!!

Print Recipe
Lupara
A lupara is an 8-gauge sawn-off shotgun associated with La Cosa Nostra (the “Mob”). Rigatoni resemble the barrel of a lupara. Adjust heat level to your taste. If you can’t find Italian powdered peperoncino piccante, substitute Cayenne pepper. For a different type of heat, add some thinly-sliced hot red chile when sautéing the sausage, instead of, or in addition to, the powered chile. If you can’t find fresh porcini, substitute portobello mushrooms. It is really important to use a very good quality Italian rigatoni, preferably an artisanal variety that is thicker than the usual boxed rigatoni to get the most benefit out of sautéing the pasta. If you want to make half as much pasta, freeze half the sauce. The recipe for Basic Tomato Sauce will be posted next week.
Votes: 0
Rating: 0
You:
Rate this recipe!
Prep Time 30 minutes
Cook Time 30 minutes
Servings
people
Ingredients
Sauce
Assembly
For serving
Prep Time 30 minutes
Cook Time 30 minutes
Servings
people
Ingredients
Sauce
Assembly
For serving
Votes: 0
Rating: 0
You:
Rate this recipe!
Instructions
Sauce
  1. Using a heavy-bottomed pot, sauté the sausage in the olive oil until colored.
  2. Add the porcini, butter, and fresh peperoncini, if desired, and sauté 5-7 minutes. During this time, the sausage should brown much more and the mushrooms should give up much of their liquid and take on some color.
  3. Add the wine and evaporate completely over high heat.
  4. Add the broth, partially cover, and simmer until completely evaporated.
  5. Add the Basic Tomato Sauce, basil, and salt and pepper to taste. Simmer about 10 minutes. Reserve.
Assembly
  1. Bring three quarts of heavily salted water (according to the Italians, it should taste like the sea) to a boil.
  2. Meanwhile, sauté the garlic in the extra-virgin olive oil until light brown. Drain and reserve the oil.
  3. Cook the rigatoni just until it no longer has a crunch in the center but is still far from done.
  4. While the pasta is cooking, put the sauce in a large sauté pan and bring to a simmer along with peperoncino piccate to taste.
  5. Drain the rigatoni, saving at least one quart of the pasta-cooking liquid.
  6. Add the rigatoni to the sauce and increase the heat to medium to medium-high. Add pasta-cooking liquid, a ladle at a time, stirring the pasta frequently to finish cooking.
  7. After adding a ladle or two of the pasta-cooking liquid, add the cream. Continue adding pasta-cooking liquid as needed until the pasta is just al dente and coated with a thick sauce.
  8. Off the heat, mix in the Parmigiano Reggiano cheese, cream, and the reserved garlic oil. You may need to thin with a little more pasta-cooking liquid as the cheese will thicken and emulsify the sauce.
  9. Divide the pasta among serving bowls. Garnish each with a drizzle of extra-virgin olive oil and sprinklings of Pecorino Romano cheese and fresh basil chiffonade.
Recipe Notes

Here's my recipe for Basic Tomato Sauce.

Copyright © 2019 by Villa Sentieri, LLC. All rights reserved.

Share this Recipe

Calabria Dispatch #19: …And So It Ends (for now!)

April 14, 2019

The oven was turned on for the last time for the Master’s Program on April 9th.  As this blog is being posted, I am flying home from Italy.  The program officially ended on April 10th with a final dinner held in Catanzaro Lido.  There were about 36 of us counting students, family and friends, kitchen staff and faculty.

Beautiful eggplant that were turned into fried eggplant sandwiches for lunch. Eggplant season doesn’t really start in earnest in Calabria for a few more weeks but look at these beauties.

Tuesday, April 9th was our final menu execution.  We put on a dinner for about 30 guests.  On Sunday, the 7th we submitted our suggestions to Chef and he decided what we would make for the dinner.  Mostly we got to make what we requested.  We averaged about three dishes per student.

While my group was working in the kitchen the morning of our final menu execution, Chef John made a snack of pan-seared headcheese and eggs poached in spinach with cheese.

The dinner started with a cold antipasto buffet followed by primi (pasta and risotto dishes) that were plated in the kitchen and served to the guests.  We had two waiters to assist us.  There were a number of secondi (second plates…usually meat or fish) including Gerard’s insane Truffle Porchetta.  Slathered with pureed truffles before it was rolled and slowly roasted, Gerard figured the value of the Porchetta was more than his entire net worth!

An early stage in making Tomini. The curds are put into little baskets to drain.

I made three cheeses for the antipasto buffet as well as Lasagna Bolognese made in individual ramekins.  The cheeses I made were all Tomini, but flavored differently.  My request to also make Pecorino was not approved.  Probably because there wasn’t time to age it sufficiently.

More beautiful produce: sweet peppers that were roasted and added to the eggplant sandwich.

The Tomini were made from raw cow’s milk though in the future I would definitely pasteurize the milk.  There are few cheeses that really benefit from being made of raw milk otherwise the risk just isn’t worth it.  Tomini can be made from sheep’s milk as well.  Finding sheep’s milk in New Mexico is difficult so my Tomini will likely be made with cow’s milk.  I’m also going to try a combination of cow’s and goat’s milk, though, as soon as I can find a source of non-homogenized milk.  Homogenized milk is not ideal for cheese-making.

Tomini with fresh garlic and dried oregano put into baskets to drain.

Tomini are usually small cheeses, made in molds that hold 80-100 grams (about 3 ounces) when finished.  One style contains a fuzzy (penicillum mold) exterior, like brie and camembert, but most, in my limited experience, do not.  I opted for the latter.  They can, and often are, aged briefly (just a few days) to create a mellow cheese.  Longer aging is possible but given their small size two weeks is about the maximum.

On the buffet: sgombro (mackerel) lightly pickled and served as bruschetta.

To make Tomini, the milk is heated and inoculated with yogurt to begin to acidify it.  Subsequently rennet is added.  After the curds are cut, the proto-cheese is heated to firm up the curds before they are put into molds.  After draining and salting, they are aged for a few days at 10°C-12°C (50°F-53.6°F), just a little cooler than a wine cellar.  I am committed to having Tomini in our Santa Fe wine cellar soon!

Clockwise from top right my tomini flavored with peperoncino, tomini with garlic and oregano, tomini with crushed black pepper. Bruschetta made by another student.

Some of the Tomini were rolled in coarsely ground black pepper before aging.  Others were rolled in a mixture of sweet and hot peperoncino powder.  For others, the curds were mixed with minced fresh garlic and dried Calabrian oregano before being put into molds.  Tomini can also be aged in flavored oil such as garlic, rosemary or peperoncino oil.

A peek at just a small portion of the antipasto buffet. There were many courses of plated dishes that followed and then a gelato bar for a sweet ending!

As I was coating the cheese with black pepper and peperoncino, Adriana, the dishwasher who is filling in for Maria who recently had surgery, indicated that she rubbed her cheese with olive oil before coating them with spices.  I might give that a try.  I have no idea what it might do to the cheese but since these aren’t cheeses that age long, there’s no risk that the oil will go rancid as could happen with a long-aged cheese.

A selfie, from right to left, Ryan, Mary Margaret, and yours truly

I made cheese for menu execution because Chef John, a week or so before, told me he wanted to see me make cheese (“and not ricotta”… his words) for menu execution.  It’s similar to his comment earlier in the course about wanting to see me make pasta ai frutti di mare or pasta allo scoglio (or a similar a la minute pasta made with seafood).  I think these are items that he’s using to gauge skill level or techniques that he thinks I need to know if I’m going to teach cooking (which I plan on doing on my return).

Polenta bites with simple tomato sauce.

In any case, without his urging, I probably would not have made cheese.  Now I’m hooked!  The variety of cheeses that can be made without extensive aging times is incredible.  I can use the wine cellar.  If I start getting into aging for more than a month or so I suspect I’ll have to buy a refrigerated wine cave which will sit next to my gelato batch freezer… wherever that ends up!

One of the last lunches served to us at the Italian Culinary Institute.

I got a big compliment from Chef Juan’s mom, who’s visiting from Venezuela, regarding my cheese.  I also got lots of compliments about my Lasagna Bolognese (which is going to appear on the table at Easter this year!).

Pizza fritta: fried pizza dough with toppings.

Step one was making the Ragu Bolognese which Chef John pares down to the absolute essentials compared to many published recipes (though I added a bit of garlic which he doesn’t do).  It’s packed with flavor from very few ingredients.  Step two was making fresh pasta and cutting it into circles that just fit inside the individual ramekins.  The pasta air-dried for a day.  Step three was making the besciamella and refrigerating it overnight so that I could squeeze it out of a pastry bag.  All of those steps happened on April 7th and 8th.

Pane Arabo made fanciful with a small sheet of dough colored and flavored with squid ink, put on top of the plain dough.

The morning of April 9th, menu execution day, was pretty mellow for me.  My cheeses were aging without need of attention until it was time to cut them and plate them for the buffet.  I layered 29 ramekins (the total that we had) with lasagna hoping that one of our 30 guests didn’t want lasagna!

Another selfie on the night of menu execution.

It was a Zen-like meditative experience:  A thin layer of ragu, a sheet of pasta, another thin layer of ragu, then besciamella piped in to cover, then Parmigiano Reggiano cheese then pasta, followed by more ragu, besciamella, and Parmigiano followed by pasta, then ragu, Parmigiano and a drizzle of melted butter.  This brought each ramekin to just below the top.

Getting my certificate from Chef John Nocita.

I put them on a sheet tray, inverted another sheet try on top, and put them in the walk-in.  My work was done.  I spent the rest of my time in the kitchen helping others who had more last-minute work to do.

The lasagne were served as the first primo of the evening and therefore the first plated dish after the serve-yourself antipasto buffet.  I baked them and drizzled them with a tiny bit of house-made rosemary oil just before serving them.

Making individual lasagne, the first primo piatto of the evening.

Before we got to the primi, however, Chef John made a little speech and then gave us our certificates.  A few hours earlier we had gotten our official Italian Culinary Institute Chef’s Jackets which we were all wearing.  It was an emotional moment:  the culmination of three months of hard work and weight gain in the service of researching the flavors of Italy.  (It sounds facetious but it’s really true.)

I’m starting to draft this post on Thursday.  All the students left today, except me.  When planning my flights, I decided that I didn’t want to be rushed with packing during the last days of the course so I planned my departure for Saturday.

Pasta filled with potato and mint, served with simple tomato sauce.

Today, Chef Juan and I spent a couple of leisurely hours inspecting all the salumi we made back in January and “maintaining” the large cuts, like prosciuttino and capocollo.  Maintaining means checking weight loss.  Each type of cured meat product has an ideal percentage of weight loss as part of the curing process.  Maintaining also means cleaning off any mold with white wine vinegar.

Some of the cured meats that we started in January hanging in the curing room.

Mold is a natural part of Italian salumi.  Mold doesn’t really penetrate the surface of the meat.  As it appears, one just cleans it off.  Ideally the meat is checked every few days.  Sometimes one reapplies another coating of whatever seasoning was on the exterior.  The seasoning doesn’t really penetrate the meat any longer as the surface is dry but it acts as another protective layer on the meat.  Some of the cured meats that we made in January won’t be ready till October.

On Friday, the staff was reorganizing the kitchen after our three-month marathon and taking inventory.  I “maintained” all the salami and then vacuum-packed everything that didn’t need more aging.  My afternoon was spent packing for my departure.

A final memory of the view from our terrace the day before leaving Calabria.

Once I get home on April 14th I’ll be in full-cooking mode getting ready for Easter dinner.  I’ve taken my lessons to heart and plan on making the following assuming I can get all the ingredients:

Antipasto (served on individual plates while having cocktails)

Ricotta Fresca Fatto in Casa, Condita con Olio d’Olivo

Melanzane sott’olio

Tonno del Chianti

Fraguni

Salame con Pane di Formaggio alla Romana

Arancini con ‘Nduja

Fave con Pecorino

 

Primi (served in sequence on individual plates)

Risotto con Piselli, Crema di Piselli, Olio di Menta

Minestra di Fagioli Borlotti di Zia Fidalma

Lasagna Bolognese

 

Secondo

Abbacchio alla Romana

Carciofi e Patate

Focaccia

 

Dolci

Torta di Agnello di Sanguinamento (Rich DePippo’s Bleeding Lamb Cake)

Babà con Sciroppo di Rum

Gelato di Crema di Arancia, Scorza d’Arancia Candita, Cioccolato Bianco Caramellato Sbriciolato

My plan for the summer is to go through my notes from the course and cook, cook, cook.  I feel like I need to do that to integrate the information and truly make it mine.

Erlyn and I on the evening of our final menu execution.

I plan on making my way back to Italy at the beginning of August for about two months for guided independent study in regional Italian cuisine both at the Italian Culinary Institute and at venues in north and south Italy.  Until then, I’ll try to get back to a regular schedule of posting blogs with recipes and stories.

A close-up of my tomini with garlic and oregano.

Bene, allora, arrivederci a tutti!

Last minute update:  I’m spending the night before my trans-Atlantic flight at Il Picolo Bed and Breakfast that is, quite literally, a five minute drive from Leonardo da Vinci airport in Fiumicino.  The owners suggested I have dinner at BioAgriola Traiano, about a five-minute walk from the B&B.

An antipasto platter at BioAgricola Traiano. Note the little bread roll in the upper left. It is reminiscent of the “specialty rolls” that were an integral part of the baking program at the Italian Culinary Institute.

The food was wonderful.  The owner speaks five languages and, when she heard I was a chef, she brought out the kitchen staff (both in their 20s) to meet me.  The food was superb!  I have to make visits to the B&B and the Agriturismo a regular part of my trips back to Italy.  It won’t be difficult given how close they are to the airport.

Housemade fettuccine with cinghale in salsa bianco (wild boar in white sauce) at BioAgricola Traiano.

Calabria Dispatch #18: We Herd You Were Making Cheese

April 8, 2019

Cheese Week started on Sunday, March 31st.  But first, as has become customary when new people join us for a week, we went out for pizza the evening before.  The pizzeria is Il Ghittone in Montepaone Lido, a nearby town.  It’s the pizzeria that serves French fries and pizza…the one that has the automatic external defibrillator that I mentioned in a prior post!

Say “cheese”: the Master’s Class plus four Cheese People and instructors.

Pizza and French fries were child’s play compared the fat-and-cholesterol-laced week we were about to encounter.

A few of the cheeses we tasted on the first day of Cheese Week.

Sunday started out slowly.  It was a day devoted to tasting Italian cheeses.  It was meant to be an introduction to the coming week.

Spoons of cheese about to be passed around for tasting.

We tasted and discussed each of the following cheeses:

  1. Ricotta di Pecora (sheep’s milk ricotta) served with orange blossom honey
  2. Ricotta di Vacca (cow’s milk ricotta)
  3. Pasta Filata (pizza cheese) [Pasta Filata, in addition to being a cheese in itself, is also the name of an entire family of cheeses that includes numbers 4 through 9 below.]
  4. Fior di Latte #1 (essentially Mozzarella but made from cow’s milk so it’s not called Mozzarella in Italy)
  5. Fior di Latte #2
  6. Provola (not as aged as Provolone)
  7. Provolone Dolce (“sweet” Provolone, but aged more than Provola)
  8. Provolone Piccante (“spicy Provolone, i.e. aged longer)
  9. Burrata (fresh Fior di Latte or Mozzarella surrounding a center of shredded, Pasta Filata [called stracciatella] mixed with heavy cream)
  10. Burrino (sheep’s milk cheese surrounding a center of butter)
  11. Robiola di Vacca (much like American cream cheese but a bit softer)
  12. Stracchino
  13. Taleggio
  14. Taleggio with Mostarda
  15. Formaggio di Capra Semistagionata (partially aged [semistagionata] goat cheese)
  16. Grana Padana
  17. Pecorino Romano
  18. Pecorino Sardo
  19. Caciotta
  20. Gorgonzola Dolce

Between #13 and #14 we were served a snack of pizzette (mini pizza) with truffled pasta filata and mozzarella—just to fend off hunger (right!).

One of three courses we had for lunch on Friday, all vegetarian, all cheese-inflected.

Mid-afternoon we had a cannoli-inspired “snack” made with sheep’s milk gelato (in place of ricotta) topped with chocolate chips, an unbelievable slice of candied orange (not orange peel, but a whole orange!), and a cannolo shell.

A mid-afternoon snack: Sheep’s Milk Gelato, Chocolate Chips, Candied Orange, Cannolo Shell.

After the last cheese, we had a few hours to recover before having a cheese-inflected dinner.  After a couple of statins and some red wine for the resveratrol it was time for bed.

Monday was a day of lectures by Yi-Chern Lee, a milk scientist and Product Manager for Fonterra in New Zealand.  But first…Chef John wanted to feed us!  We moved from the dining room, which had been set up as a lecture hall, to the kitchen where we were served polenta concia.

Pecorino Calabrese coated in peperoncino and Pecorino Fossa coated in ash (from the wood-burning pizza oven).

Chef John’s version of polenta concia was over the top and it was exactly the reason that I did not have breakfast before getting to class.  I’m sure you’ve figured out by now that Chef John loves to feed people and loves to present them with new flavors.  When Chef John is not teaching, as was the case on this day, he is more likely to use his time in the kitchen to whip up one dish after another for us.  I figured we weren’t going to get far through the morning before food arrived so I skipped breakfast though I did have a doppio (double espresso).

Polenta Concia as interpreted by Chef John.

Chef’s rendition of polenta concia consisted of polenta with milk added for smoothness.  After cooking it was mixed with Parmigiano Reggiano and porcini trifulata (sautéed and braised porcini mushrooms) and put into individual terracotta bowls with a splash or three of extra-virgin olive oil on the bottoms.  An egg was put on each one after which they were baked and then topped with Lamb Ragu.

Maestro Postella’s notes describing the basic steps in making mozzarella.

Appropriately fortified, until lunch, Yi-Chern started his lecture.  He covered a lot of territory starting with the basic chemical constituents of milk from different animals and factors that affect milk and milk quality.  Much of the day was devoted to discussing each of the possible steps in cheese-making.  Not all of the steps are used for every cheese but we covered all of the possibilities.  I have 12 pages of notes from his lecture.

Tomini: plain, in rosemary oil, in peperoncino oil, and in garlic oil.

The next day, Chef John demonstrated one of many possible ways to make cow’s milk ricotta.  It is pretty much identical to the method I have been using though I learned a few tricks about how to keep it creamy should one want it creamier rather than drier.  It’s called direct ricotta in that it is made directly from milk.

Ricotta being made.

Traditionally ricotta is made from the whey left over from cheese making.  The whey is acidified and heated which causes that last bit of protein to coagulate forming ricotta.  The yield is very low so unless you are producing cheese on a very large scale it is not practical to make ricotta using this method alone.

Putting ricotta into molds to drain.

After the cow’s milk ricotta, the rest of the day was devoted to making sheep’s milk cheeses and other dairy products, including:

  1. Yogurt
  2. Buttermilk
  3. Tomini di Pecora (of the following varieties):
    • Calabrese
    • Sardo
    • Fossa
    • Toscano
    • Luinese
  4. Pecorino Romano
  5. Pecorino Tartufo
  6. Piacentum Ennese (with saffron)
  7. Pecorino with Oregano and Peperoncino
  8. Pecorino with Green Olives
  9. Canestrato
  10. Pecorino Porcini
  11. Pecorino with Arugula, Roasted Black Olives, and Sun-dried Tomato

Wednesday was devoted to learning to make ricotta and mozzarella from Maestro Salvatore Postella, who has been making mozzarella by hand for nearly 50 years.  He says his largest production was a day when he made 6000 balls of mozzarella…and not those tiny little things, either!

Maestro Salvatore Postella checks the curd formation for his mozzarella.

We started the process at the beginning by heating 100 liters of fresh cow’s milk.  Technically, this is fior di latte, not mozzarella, since it is made with cow’s milk instead of water buffalo’s milk.  The milk needs to be heated, starter cultures added then rennet added, curds cut in large pieces, curds cut in small pieces, curds matured in the whey, curds drained and formed into a large block, block of curds cut into small pieces, curds heated with water at 90°C (194°F) to pasteurize them and to work them until stretchy before forming into mozzarella balls.

Maestro Postella cutting curds for mozzarella.

Working mozzarella means putting your hands into water that is close to 194°F!  At my house in Santa Fe, water boils just below 198°F.  Imagine putting your hands in that!!

Softening curds in water just below the boiling point.

Now visualize making 6000 balls of mozzarella on the same day!

Maestro Postella works the curds for mozzarella with sticks before using his hands.

In any case, Maestro Postella is amazing.  The beauty of his movement with just a gentle flip, then almost caressing the curd followed by three small twists and he’s formed a ball of ethereal mozzarella.  Ours, on the other hand were like baseballs! But, hey, he’s done this for 50 years.  Besides, continuing to work the cheese takes it from mozzarella territory to pizza cheese to provola.

Stretching mozzarella.

After doing a “play” mozzarella when Maestro Postella invited us to try with the odd bit of curd, I decided to make provola when we were each given an actual portion of curd to work later in the day.  The “play” mozzarella coupled with my experience trying to form mozzarella back at the beginning of the course (in January) convinced me that one or two more attempts wasn’t likely to gain me more skill.  I decided to try to make something where the extra working of the curd was actually a requirement.  Getting some pointers on making provola could actually be helpful in the future if I decide to delve more into cheese making.

Maestro Postella forming a ball of mozzarella.

The next day, Chef John demonstrated the difference between mozzarella made by Maestro Postella and mozzarella made by us by breaking one of each open.  Ours just couldn’t compare.  His was light, fluffy, and still oozing with liquid, just like good mozzarella should.  Ours really was pizza cheese!

When working with curd to form mozzarella, it really needs to get “stretchy!”

When Chef John pulled a provola out of the bowl of “our” cheese, he asked the kitchen staff (in Italian) who had made it.  (I did.)  The answer came back in Italian and was never uttered in English.  He said that it was well formed and of the right texture.  I felt pretty good about that!

My little provola tied and ready to hang and age in the cheese cave.

But back to Wednesday.  Maestro Postella made burrata, for which several of us shredded pasta filata to make stracciatella.  He also made ricotta starting with the whey from making curd for mozzarella.  As noted above, this is the traditional way to make ricotta, which means re-cooked.  Maestro Postella used a hybrid method, whey for acidification but with the addition of milk to provide enough protein to make a reasonable quantity of ricotta.

Maestro Postella making ricotta using whey from making mozzarella with the addition of extra milk for protein.

Ricotta is made by taking whey (or whey and milk or milk and cream), heating, and then adding an acid such as lemon juice or vinegar to cause the proteins to coagulate.  It squeezes the last little bit of cheese out of whey that has already been used to make a primary cheese.  You would imagine from this, and you would be right, that way-back-when ricotta was the food of the poor.  No longer…obviously!

One of Maestro Postella’s braided mozzarella cheeses with arugula worked in.

On Thursday we started out learning about different ways to salt cheese.  The rest of the day was devoted to the making of cheese and other dairy products from cow’s milk, including:

  1. Caciotta
  2. Stracchino
  3. Camoscio
  4. Mascarpone
  5. Taleggio
  6. Gorgonzola Dolce
  7. Cream Cheese (American)
  8. Ricotta Salata
  9. Caprino (a fantasy cheese made from goat and sheep’s milk)
  10. Grana (type)
  11. Fontal (type)
  12. Crème Fraiche
Getting ready to tour a cheese factory.

Cheese Week wound down on Friday with our last visit to the open-air market in Soverato followed by a visit to an artisan producer of buffalo mozzarella and sheep’s milk cheeses.

A one-day old water buffalo.

Back at school, after lunch, Chef reviewed all of the cheeses that had been made during the week and recapped the salting, aging, and conserving processes for each.  Afterwards the four Cheese People went into the kitchen to make their own cheeses.  The Masters students were briefed on the details for our next Menu Execution, our last effort before graduation.

Some of the cheeses that were made during Cheese Week.

Calabria Dispatch #17: A Cat Named Pancetta and a Pizza Called Amnesia

April 2, 2019

Friday, March 22nd was the first day of a five-day break at school.  I headed for the airport in Lamezia Terme and boarded a RyanAir jet bound for Pisa.  Cousin Massimo was meeting me at the airport and taking me to Benabbio to spend a few days with him and Zia Fidalma.

Cavoletto, a wild green that Massimo and I picked from the plot that contains their olive trees.

The flight was uneventful but boarding was a bit chaotic.  Though it seems to vary on different routes, RyanAir basically has three levels of tickets:  Cattle Call, Priority, and Priority with Expedited Check-in.  Priority sounds like a good thing since you get priority boarding (there’s no such thing as boarding by row or group number in Italy) until you realize that more than half the plane has bought Priority; mostly so they can bring more than a toothbrush onboard.

The house in which my father-in-law grew up along the River Lima at Viale Papa Giovanni XXIII (Pope John Paul XXIII Avenue) #1 in Fornoli. It’s on the market for 150,000 Euros.

Before the announcements start at the gate, passengers start forming into a mob, polite mind you, but still a mob, stretching from the gate agent outwards, filling any possible space in the boarding area.  Apparently, this is Priority but unless you’ve flown RyanAir before, you wouldn’t know.  Till I figured out what was going on (which really taxed my minimal Italian), I was only a few passengers from the end of the mob.

Dubbed “Casa Pieri” by Zia Fidalma and Massimo, the house in which my father-in-law grew up sits next to a pedestrian bridge in a very quiet location.

The Cattle Call passengers actually stay seated in the gate area.  They can only bring on one bag that weighs a maximum of 7 kilos (just under 15½ pounds) and it has to fit under their seat, which is likely to be a middle seat since they don’t get to select their own seats.  They don’t really need to try to sneak on the plane early, as happens in the States, because they don’t need to struggle for bin space because they can’t bring more than one small bag onboard.

A stone path down to Casa Pieri.

There was a small group of Priority Plus passengers queuing tranquilly at the gate.  None of them was Italian.  It’s not clear why they’ve paid more than the cost of Priority to get expedited security screening.  The airport in Lamezia Terme is small and there’s not much time to be saved.  Also, the Italians don’t make you take off your shoes or remove your liquids or laptop!  Getting through security is pretty easy.

The theater in the town of Barga.

It turns out that being at the end of the Priority mob isn’t a big deal.  After we clear the gate, we head down the ramp to form another mob near a set of sliding glass doors.  There’s lots of empty space and I get a spot near the doors as people congregate leisurely in this much bigger space.

The address plaque for Casa Pieri.

Once all of the Priority passengers are in the new holding area, the doors open and we walk across the tarmac to the waiting plane.  This is not a regimented, walk-in-a-line-on-the-striped-area-toward-the-plane walk.  This is more like the running of the bulls in Pamploma, just slower.  Italians never seem to be in a hurry, unless they’re driving.  I head toward the stairs at the back of the plane because my boarding pass says that’s where I should enter.  It turns out, I’m pretty much in the middle of the plane (row 18 out of 36 rows).

Dinner prepared by Zia Fidalma: Fettine di Manzo in Umido, Pure di Patate, Cavoletto.  The olives were cured by Zia Fidalma and came from their own trees as did the olive oil.

Italians never seem to be in a hurry unless they’re behind the wheel.  (I just said that, right?)  They stand in the aisle having conversations, taking off their jackets, neatly folding their jackets, putting their folded jackets on top of their bags in the overhead bins, having more conversations, thinking about getting out of the aisle and sitting.  I’m convinced they’d stand there and have coffee if they could!

A house next to Zia Fidalma and Massimo that is on the market.

I finally make it to my seat, still uncrowded and with open overhead bins, but not before a slight, soft-spoken older man with a nice smile tries to have a conversation with me…in dialect.  I had no idea what he was saying and smiled and nodded as I found my way to my seat, hoping I wasn’t being socially inappropriate.

Zia Fidalma inspects produce at the hypermarket. Afterwards we went to the mercatino in Bagni di Lucca for additional shopping.

Massimo picked me up at the Pisa Airport and we drove about an hour to Benabbio where Zia Fidalma, and lunch, were waiting.  Lunch was Zia’s wonderful Minestra di Fagioli made with borlotti beans, cooked and pureed, with a bit of pasta (lumache, specifically) added.

The mercatino in Bagni di Lucca is much smaller than the mercatino in Soverato that I go to every Friday.

I heard about this soup when Zia Fidalma, Massimo and Francesca visited Calabria in February.  It definitely lived up to the hype.  At the table we drizzled it with unfiltered olive oil made from their own olive trees and added a bit of black pepper.  Red wine accompanied the soup.  Bread allowed me to sop up every bit of soup from my bowl before proceeding to cheese and fruit.

The basic components of Focaccette: a batter of flour and cornmeal, pancetta, olive oil.

After lunch, Massimo and I walked to their garden plot full of olive trees.  In years past, vegetables would have been planted among the trees but no longer.  We picked a wild green, cavoletto, which accompanied our dinner later that day.

To make focaccette, Zia Fidalma spoons batter on top of a slice of pancetta that is laid on top of batter spooned onto a hot iron.

After lunch Massimo and I took a drive.  First to Fornoli to see the house in which my father-in-law grew up, dubbed Casa Pieri by Zia Fidalma and Massimo.  The house, 90 square meters (less than 970 square feet), is for sale for €150,000, a steep price.  Afterwards we went to Barga, a picturesque town where my husband’s grandfather was born.  We made a short stop at a wine shop in Bagni di Lucca owned by one of Massimo’s friends before getting to Benabbio just after 7 PM for dinner.

As she’s about to remove one cooked focaccette from the iron, Zia Fidalma starts the next one on the other iron which ends up directly on the fire.

Bourbon is difficult to come by in Italy.  After a bit of Russian vodka, we settled down to dinner:  Fettine di Manzo in Umido (thinly sliced beef cooked in a small amount of tomato sauce with olives—and sometimes capers), purè di patate, cavoletto briefly boiled and dressed with olive oil, and bread.  The olives were from their trees and cured by Zia Fidalma.  The olive oil was also their own production.  Fruit and cheese rounded out the meal for me, though there was also a homemade torta de mele (apple tart).

A focaccetta cooking between the two irons.

The next morning we did a grocery run to the big hypermarket in Gallicano, a nearby town, before stopping at the open-air mercatino in Bagni di Lucca.  Back at home we stood around the stove while Zia Fidalma made focaccette rimpiturite, which we ate hot from the griddle with stracchino.

Pancetta, who got her name for the daring act of stealing a piece of pancetta when she was a kitten.

Focaccette are thin savory pancake-like affairs made from a batter of flour and cornmeal with a slice of pancetta in the middle.  The whole thing is cooked between two cast iron griddles.  I declined dessert but Zia Fidalma was prepared to make necci, a thin cake made of chestnut flour.

A focaccetta, browned and crispy, ready to be spread with some stracchino.

We did a bit of walking around Benabbio, including looking at the outside of houses for sale.  The house adjacent to Massimo and Zia Fidalma is for sale.  It has a kitchen, large salon, two bedrooms and a bath on the first floor.  There is an additional room on the second floor.  On the ground floor is a workroom, a large cellar, and a garage.  I also got to meet Pancetta, a cat that belongs to Massimo’s cousin.

Herbs at a local garden center.

That afternoon we went for another drive, this time to Castelnuovo, hitting a few garden centers as well.  In the evening, after another nip of vodka, we met Francesca for pizza at Es Vedra in Fornoli.  Fornoli is where Casa Pieri is located.  In fact, Casa Pieri and Es Vedra are on the same street:  Viale Papa Giovanni XXIII (Pope John Paul XXIII Avenue).  Casa Pieri is at #1.  Es Vedra is at #94.

Spring flowers at the garden center.

I’m happy to say that ‘nduja has invaded Tuscany.  I had a really wonderful pizza with ‘nduja and the better part of half a liter of wine.  Francesca assisted me by drinking a glassful after finishing her beer.  The pizza with ‘nduja was listed on the menu as Pizza Amnesia.  I can assure you that I don’t want to forget it!  I now think of Es Vedra as our neighborhood pizzeria even though we don’t own Casa Pieri…yet!

Pizza Amnesia at Pizzeria Es Vedra in Fornoli.

On Sunday I flew back to Calabria.  This time I knew the drill with Priority and managed to get in the right line at the gate.  After an uneventful flight home I was met outside of baggage claim by my driver.  As we were walking out of the airport at 1:45 he told me he needed to be back at 3:00 to pick up some other people.  Normally, the drive from the airport to the school is about 45 minutes, not counting parking, etc.  I assumed he might be a bit late for his next trip.  Not so!  We made it back to the school in 23 minutes!!!  Never once did I care to look at the speedometer as we were hurtling down the autostrada!

Zia Fidalma and Massimo enjoying pizza and beer at Pizzeria Es Vedra.

There were still two more days left to the break.  Other than a three-hour walk on Monday that was prompted by a bourbon run, I spent the two days relaxing.  The rest of the week was actually low key as well.

Cousin Francesca at Pizzeria Es Vedra in Fornoli.

We had cultural visits on Wednesday and Thursday.  The Wednesday visit was to an agriturismo where almost everything we ate, including all the cured meats, were made in house.  The Thursday visit was centered around a visit to Squillace to see the castle, visit a small shop that produces hand-made and hand-painted terracotta and have lunch prepared by someone’s Nonna in the style of a shepherd’s lunch.

You can buy most anything in Italy at an open-air market or out of the back of a truck. On a rainy day this guy was driving through Squillace selling women’s clothing which you can see hanging under a tarp.

Despite the rain, we did the first two.  Unfortunately, Nonna had been hospitalized and was unable to make lunch.  Instead, we went to a restaurant where we were served a dizzying array of antipasti followed by a revelatory pasta of thick hand-made noodles (fileja, I believe) in a minimalistic, and minimal but delicious, tomato sauce with just the barest amount of porcini and shrimp.  It was truly a perfect example of how less can be more.

Handmade and hand painted terracotta in Squillace.

Friday was a day off though there was a run to the open-air market for those of us who wanted to go.  I managed to buy a large quantity of pepperoncino picante, which I plan to use to make cured meats, as well as two dozen babà molds.

Ventri di stoccafisso, sometimes called trippa di stoccafisso, are the dried undersides of cod.

Saturday was the last day before Cheese Week and the addition of new students to our group.  It had actually been several weeks since we last sat in the kitchen and had Chef John demonstrate the preparation of various dishes.  It brought a comfortable feeling, which several of us discussed later, to sit there and have Chef John demonstrate how to make Penne all’Arrabiata; Fegato di Coniglio con Porri (rabbit liver with leeks); Gnocchi, Spade e Melanzane (gnocchi with swordfish and eggplant); and Pasta alla Carbonara—all of which we ate BEFORE LUNCH.

A wonderful antipasto platter of all housemade ingredients at Agriturismo La Sena in Santa Caterina dello Ionio.

After lunch, Chef Juan demonstrated a technique for making a frittata, which we, of course, ate, with bread and Roasted Garlic Aioli that Chef Juan also made to accompany the frittata.  In the afternoon we joined Chef Juan in the Pastry Lab to make Limoncello, Arancello, and Liquore di Melograno (pomegranate liqueur).  Chef John sent in afternoon snacks.  First was rigatoni with a sauce of pureed fresh green peas, the sauce for which he had demonstrated that morning.  Later we got White Chocolate Orange Spuma (mousse) with Panettone Browned in Butter and dotted with Whipped Cream!

Handmade farfalle at the Italian Culinary Institute were served for dinner during the week.

With Cheese Week about to start the next day, for which four additional students would join us, followed by our final menu execution the following week, Saturday was really the last day we would be together ourselves as a group.  When all the work was done, Chef Juan sliced a beautiful Jamon Iberico de Bellota that he had brought back from Spain before we began the Masters Program in January.  He also served an amazing Morcilla (blood sausage) from Spain made with fat from Jamon Iberico.  A few bottles of wine rounded out the afternoon.

Chef Juan about to slice Jamon Iberico de Bellota.

At 7:45 we headed out for pizza with the new students who were joining us for Cheese Week.  Our new adventure was about to begin.

One of many platters of Jamon Iberico de Bellota that we ate on Saturday afternoon.

Calabria Dispatch #16: An Execution at the Italian Culinary Institute

March 28, 2019

With Pastry Week behind us, after making our pasta sfoglia on Friday afternoon (see the prior post), we got together for a pizza party.  This was a no-pressure pizza party… no competition, no judging… we just made and ate pizza and had wine and beer.  Well, there might have been a little bit of bourbon beforehand but if there was, I’m not telling, or I don’t remember, or something…

Pizza toppings prepped and ready to go.

About pizza parties:  Chef John feels there are certain foods that are so fundamental to Italian regional cuisine that we absolutely need to nail them perfectly by the time we finish this course.  This includes things like pizza, focaccia, handmade pasta, and ciabatta, just to name a few.  Pizza parties are fun but they’re also a way to keep practicing pizza-making to solidify our skills.  It’s a way to be in class without being in class.

Chef Jordan (right) a graduate of the program, and Ryan, one of our Kitchen Assistants, in the Pizzeria.

Although Pastry Week wasn’t a particularly stressful week, we all seemed to let loose a bit more than we had at our previous pizza parties.  Maybe it was the anticipation of the stress that we knew would accompany the upcoming execution, menu execution, that is!

A bit of fun during the pizza party.

The next day, Saturday, was nominally a free day.  It was also beautiful.  The chefs packed picnic lunches for us and we had an al fresco lunch on the beach.  There was one little bit of business before lunches were distributed, however.  We needed to divide ourselves into two groups for our next menu execution, for which preparation started the next day.

Making candied orange peels for my Bourbon Gelato “Old Fashioned” Crostata a la Mode was another of my projects during this week.

Each group also had to randomly pick 10 slips of paper out of a box (well, this is a cooking school so it was really a plastic food container, not a box).  Each of the 20 slips of paper in the “box” contained the name of one of the 20 regions of Italy.  We had to come up with a menu that reflected each of our 10 selected regions.

Al fresco lunch on the beach during our day off.

My group was assigned dinner so we didn’t have a meeting to discuss our menu ideas with the chefs until noon the next day.  The other group, assigned to prepare a luncheon, had a 9 AM muster.  We took the afternoon off completely and planned to convene early the next morning to come up with menu ideas.  A few of us did research in the evening to identify the most characteristic raw ingredients and classic dishes of each of our regions.  This was a valuable head start the next day.

Each group randomly selected 10 regions to represent at their meal. I was in Team B.

Coming up with a complex menu is stressful.  Coming up with a complex menu that meets Chef John’s criterion that it would be worthy of a €250 price tag is even more stressful.  Chef John likes complicated menus.  He also likes complicated dishes.  Sometimes a complicated dish becomes even more complicated during the days of preparation as Chef John gets a new idea that he “suggests” we consider.  There’s a certain gleam in his eye when an idea excites him and, suggestion or not, you know you’ve got to try it when he gets that look.  (Remember the pasta sfoglia from the end of pastry week?  It became one such complication.)

Pasta sfoglia after the last fold but before rolling.

It took us all day, and I mean all day, to come up with a menu that met approval.  We also had to pair four wines with our meal.  We didn’t actually work on the pairing till the day before service but I’ve noted the wines along with the dishes with which they were paired.  Here’s where were our menu ended up:

Antipasto Tris

Caponata with Marinated Anchovy Crudo

Baby Octopus Salad Perfumed with Citrus in a Puff Pastry Shell

Small Arancini Filled with Cuttlefish and Peas on Spicy Tomato Sauce

Pane Carasau (Sardinian Crispy Flatbread)

Prosecco

Table Bread

Cibatta

Primo Piatto #1

Risotto with Peas and Pea Cream Garnished with Mint Oil, Fried Peas, Parmigiano Chips and a Fried Mint Leaf

Primo Piatto #2

Fregole allo Scoglio

(Sardinian Toasted Pasta with Seafood: allo Scoglio = from the Reef)

Falanghina

Primo Piatto #3

Cannolo alla Norma (see below, way too complicated for a parenthetical note)

Secondo Tris

Rabbit Involtini with Prosciutto San Daniele and Sage, Porcini Mushroom Trifulata

Rabbit alla Ligure

(Braised Rabbit with Olives, Artichokes and Pine Nuts)

Pan-Seared Rabbit Loin with Balsamic Onion Sauce

Potato Puree

Spring Vegetables

Focaccia with Parmigiano Reggiano and Black Pepper

Aglianico

Dolce Tris

Babà, Rum Syrup, Pistachio and White Chocolate Sauce, Candied Pistachio

Babà, Hazelnut Liqueur Syrup, Hazelnut and Milk Chocolate Sauce, Candied Hazelnut

Babà, Amaretto Syrup, Almond and Dark Chocolate Sauce, Candied Almond

Gelato

Vin Santo Gelato

Cantucco

Vin Santo

With our menu finally settled just before dinner on Sunday we put together a spreadsheet of all the ingredients we needed as our shopper would depart at 8 AM the next day.  We all went to bed early.

Mariana made this amazing Polvorosa de Cerdo (savory stuffed pastry) accompanied by a salad of valerian for the first course of the Venezuelan dinner.

But before that, Chef Juan and Mariana (also a culinary school graduate) treated us to a wonderful traditional Venezuelan dinner on Sunday.  The hard work was to begin on Monday and this was a very welcome treat.

Chef Juan made this beautiful Pan de Jamón (bread filled with ham) for the Venezuelan dinner.

We were allotted kitchen time starting at 2 PM on Monday.  We met early in the day to plan out all the tasks, day-by-day, working towards serving our meal at 6 PM on Wednesday.  We then made the initial assignment of tasks for the first day.

The luncheon menu for Team A.

As the focaccia recipe was mine, I was asked to make it.  Of all the remaining dishes I wanted to make the babà and the risotto:  the babà because I’d never made babà before and Masetro Caridi had just taught us how, the risotto because I love making risotto.  Because I was making the focaccia and the babà, it was logical that I should make everything that needed to be prepared in the Pastry Kitchen.  That still left the risotto as an option for me to prepare on the night of service as all the component parts would be prepared by the other members of our group.

I can’t get enough of this view from the Pastry Lab. Working in there is a real treat.

I spent three calm afternoons (well, other than one melt-down by a kitchen assistant on the last day) in the Pastry Kitchen (called the Pastry Lab, here).  I made:

  1. Biga (a preferment for ciabatta)
  2. Cibatta
  3. Focaccia
  4. Pane Carasau
  5. Cannoli Shells
  6. Cantucci
  7. Babà
  8. Three different liquor syrups for the Babà
  9. Chocolate-free sauces for each of the Babà for a guest who did not eat chocolate (one of the other students made the chocolate-based sauces)

    Our menu card.

Cannolo alla Norma is really a Frankenstein.  We took two classic Sicilian dishes, one sweet (Cannoli) and one savory (Pasta alla Norma) and combined them.  I made savory cannoli shells.  The filling was eggplant with three types of ricotta (fresca, salata, and infornata).  The whole thing rested on a puddle of tomato sauce.  This was one of the ideas that captivated Chef John after we had proposed a much more traditional pasta (Gleam…Suggestion…Execution).

Our Antipasto Tris. Note the puff pastry shell for the baby octopus salad.

As for the pasta sfoglia (puff pastry), we thought our antipasto was a done deal after Sunday’s meeting but somewhere around Tuesday Chef John thought it was too plain.  He suggested (Gleam…) that we make puff pastry shells to hold the baby octopus salad.  As we were nearing execution time, one of the other students was in the pastry lab rolling out, cutting, and baking the best of the puff pastry we had made on the last day of Pastry Week to make shells for the octopus salad!

Risotto with Peas and Pea Cream.

The group asked if I would cover front of the house for the dinner.  Everyone agreed that I could still make the risotto and they would cover my position but it just seemed too complicated and stressful, as well as disruptive for the guests, so I opted to just work front of the house.

Fregola allo Scoglio.

I had to introduce each dish, describe where it came from (if traditional) or how we created it using ingredients characteristic of one or more of our regions, describe each of the wines and explain why they paired well with the dishes.  I also added a bit of patter here and there to keep the evening light with anecdotes about the possible origin of the name “vin santo” and a story about Pasquale Caputo, aka Pat Cooper, the Italian-American comedian.

Cannolo alla Norma.

When the meal was over, the chefs marched into the kitchen to give us a bit of feedback (the positive feedback…the more critical feedback would wait till after break).  As they were leaving, I asked Chef John if we could open a bottle of wine in the kitchen (a violation of school rules).  He said we could do ANYTHING we wanted.  The emphasis was his.  I know the criticism, when it comes, will likely be sharp, as it should be (you can’t justify a €250 dinner without perfection), but I also know that his response was an indication we had done a good job.  It was a positive end to a taxing week.

Our Secondo of Rabbit Three Ways with Potato Puree and Vegetables.

Unlike our first menu execution where classes ended on the day we cooked and served our meals, we had one day of class left.

Baba three ways.

It was a pretty low-key day though.  We left at 8:45 in the morning on Thursday, March 21st for a “Cultural Excursion” to Azienda Statti.  The Statti Company (azienda = company) is located on an estate that has been in the hands of the Baronial Statti Family since the late 1700s.  The company is currently managed by two brothers, Alberto and Antonio Statti.

Vin Santo Gelato, a Cantucco, and a glass of Vin Santo.

The estate originally produced olive oil.  Since the 1960s it has been producing wine but only in the last few decades have they endeavored to market wine under their own name.  The estate also has citrus groves, a range of other crops, 800 cows, and forage for the cows.

The Statti Cellar.

Organic waste from crushing grapes for wine, pressing olives for oil, and from cows is used to produce methane.  Much of the methane is used to generate electricity.  The olive pits are not used for methane but are dried and coarsely ground to produce fuel for pellet stoves used to heat the buildings.  The estate is energy self-sufficient, and even sells electricity back to the local utility.

A view of some of the buildings at Azendia Statti.

After a tour of the grounds and winery we had a tasting of eight wines, four white and four red.  The group consensus was that the wines were quite good.  Remember, we had a whole week of wine tasting with a sommelier as well as the occasional guided tasting at other times so we’ve tasted a fair amount of wine.

Two of the 800 Statti cows.

Other than Cirò in northeast Calabria, Calabrian wines aren’t well known outside of Calabria.  Statti is trying to break into a crowded market.  One of their strategies is to price their wines aggressively low to try to gain market share.  Good wines at great prices equals a winning strategy for consumers.

Olive trees at Azendia Statti.

Following the wine tasting we were served an array of locally produced cheeses and salumi with bread and olive oil, from Statti, of course.  Their olive oil is really good, too!

We tasted eight wines, four white and four red, guided by a Master Sommelier at Statti.

We got back to school minutes before lunch was served at 2 PM.  After lunch we were free.  A five-day break was looming and the atmosphere was relaxed.

Wine being aged in the Statti cellar.

The next day I planned on boarding a plane to Pisa to spend a few days with Zia Fidalma and cousin Massimo in Benabbio.

Working out our wine pairings with Chef Mark McDonald who is also a sommelier.

Calabria Dispatch #15: Butter and Sugar and Lard, Oh My!

March 24, 2019

We’ve done a bit of bread and pastry throughout the course but for a week starting on March 11th that was our (nearly) exclusive focus.  We also had four additional students join us.  Annie, a pastry chef from the Philippines who was at the Italian Culinary Institute for Gelato Week, also stayed for Pastry Week.  Three Air Force personnel came for Pastry Week.  Each was a personal assistant, working for one, high-ranking Air Force officer.

Chef Juan demonstrating the preparation of the dough for Piadina.

The personal assistants do all the tasks of an executive assistant, like maintaining schedules and organizing their bosses’ activities, but they also maintain his/her uniforms (and business suits if he/she is required to wear civilian business attire as part of his/her Air Force duties); keep all areas of their bosses’ house that could be seen by guests in perfect shape; cook meals; and plan, execute, and serve dinner parties.  They were a nice addition to our group.  Their dedication and precision were awe-inspiring.

The view from the Pastry Lab. I can (and do) spend hours working in the pastry lab. I love the view.

They were always the first to volunteer to try out ANYTHING and they were meticulous to the point of near perfection—even with tasks they had never attempted before (like laminating puff pastry and rolling it into a perfect rectangle!).

Having a bit of fun during a lesson.

Apparently, when they go through culinary training in the Air Force, the accuracy of their dice is tested by passing diced vegetables through screens of various sizes to confirm that they are able to consistently create perfect diced vegetables.  They were all really excited about incorporating Italian techniques and foods into their cooking.

Chef Juan holding dough for Mantovane, colored red with beet powder, and sporting his “serial killer” look.

We had a crazy day of demonstrations and hands-on work on the 11th, including:

  1. Pane Carasau, a crispy flat bread from Sardinia that I love and now know how to make
  2. “Italian” Muffins (Chef John’s take on “English” Muffins—not Italian at all but fun to make nonetheless—and in a strange way not too dissimilar from Tuscan testarolli, of which there are several versions.)
  3. Piadina, a flat bread (which we never finished because Chef Juan didn’t like the way the dough turned out)
  4. Rosette (Roman bread rolls incised with a “rose” design on top)
  5. Hot Dog and Hamburger buns (obviously also not Italian)
  6. Mantovane
  7. Pane Arabo
Pane Carasau, rolled and ready to bake.

Chef John also demonstrated, and then we ate for lunch, a Piemontese pasta called Tajarin (dialect for tagliolini) made with an absurd amount of egg yolk.  It’s something like 40 egg yolks for 2.2 pounds of flour.  (It makes you wonder what all the whites were being used for.  I vaguely remember from early in the course that the whites were used, a long time ago, for clarifying wine.)  He also made Candereli, potato dumplings from Alto Adige that are basically the dough for a potato gnocchi stuffed with a meat filling.

Maestro Caridi making pasta frolla using the technique taught to him by his grandmother.

Maestro Paolo Caridi (Facebook and Instagram), one of Italy’s top Pastry Chefs, joined us for two absolutely amazing days demonstrating how to make an amazing array of Italian pastries, sweet breads and confections, some pan-Italian and some local Calabrese treats.

You can make out the shape of the shell-on hard-boiled eggs encased in short crust pastry in Masetro Caridi’s “I Cudduraci.”

I was pleased to discover that my cannoli recipe was very similar to his (smile) though he has the advantage of being able to fill his cannoli with sweetened sheep’s milk ricotta which is unavailable in Santa Fe.  I’ve even tried to buy sheep’s milk in Santa Fe to make my own ricotta but can’t find a source.

Salvatore Mauro gets to roll out dough for cannoli shells with lots of experts watching him!

He made egg-shaped confections (Uovo Sodo Goloso) consisting of a “yolk” of marzipan surrounded by a “white” of white chocolate and pistachio paste. Using almond paste would have produced a more appropriate color for the “white” but he likes pistachios and they are a typical Calabrian product.  They also add an amazing flavor contrast to the marzipan center.  It was topped with melted white chocolate.  He made these treats by emptying out egg shells and filling them with the various mixtures.

Maestro Caridi pipes pistachio paste into egg shells for an Easter confection.

Colomba was, perhaps, the highlight of the two days.  Essentially (this is an approximation but not far off) it is Panettone baked in the shape of a dove.  Panettone is a very rich sweet bread with candied fruits and/or raisins that is traditionally served at Christmas.  Colomba is the Easter equivalent.  This was a two-day project (mostly due to the multiple rises of the dough) that I feel I could execute where it not for the fact that I don’t have Lievito Madre (Mother Yeast).

Maestro Caridi demonstrates the classic way to shape baba: flipping a mass of dough until a small round bubble is formed and squeezed off into the baba mold.

Mother Yeast is a pre-ferment made with natural yeast.  It is similar to sourdough starter except that the final product isn’t sour.  Other types of pre-ferment are made with commercial yeast.  If all goes well, it takes about a month to make a respectable Mother Yeast.  Maestro Caridi demonstrated how to create and maintain one.  He has been keeping his going for 25 years with DAILY—yep, daily not weekly—feedings.  Try that without a staff of workers!  You’d have to take it on vacation with you.  Explain THAT to TSA!

After its first 24 hour rise, the dough for colomba had quadrupled in size.

Apparently, there is no substitute for Lievito Madre in this particular product and it’s not allowed to be called Colomba if commercial yeast is used.  Nonetheless, I am going to totally hack this recipe and use commercial yeast for my first go-round.  I’m going to do this mostly because ratios of eggs and butter to flour are exceedingly high.  It’s possible that the whole dough might just separate.  I don’t want to have spent a month cultivating Lievito Madre only to have the bread dough turn into a disaster.

Despite the massive amounts of butter and eggs in colomba dough, the dough must have enough gluten to pass the “windowpane” test. That is, it must be able to be stretched thin enough to see through without breaking.

If the colomba, and by association panettone and pandoro (which is like panettone but without dried or candied fruit) work out, it might be what finally compels me to maintain my own natural yeast starter.

Three possible ways to fill colomba molds, clockwise from top: three pieces of dough, two pieces of dough overlapped, one piece of dough down the middle which will fill the “wings” as it rises.

In addition, Maestro Caridi demonstrated the following:

  1. I Cudduraci, a sweet short crust pastry filled with shell-on hardboiled eggs, covered with another layer of crust, and lavishly decorated.  Apparently, this is a traditional Calabrese pastry that a woman makes for her fiancé.  The size of the pastry and number of eggs is supposed to correlate with the degree of “amore!”
  2. La pitta ‘mpigliata, a traditional Calabrian sweetbread stuffed with candied fruits and spices.  It is very rich.  Traditionally it is given by a man to his fiancé.  You guessed it, the larger it is…
  3. Agnello al forno, an almond short crust pastry in the shape of a lamb filled with candied fruits and nuts.
  4. Agnello di marzapane, a lamb made out of marzipan.  This is Italy, near Easter, after all, hence all the lamb shapes and Easter breads.
  5. Babà, small yeast-risen breads soaked in rum syrup.
  6. Bocconotto, small filled pastries.  In this case, Masetro Caridi used a cream filling.
  7. Fraguni, open-faced pastries filled with ricotta and salame that were originally carried as lunch for workers in Calabria.
  8. Croccante, basically almond brittle
  9. Torrone, Similar to croccante but without the sugar being cooked as dark.
  10. Marzipan sweets, basically marzipan stabilized with a little flour, butter and egg white then rolled and baked.  Adding a little baking powder makes them crunchy.
The dough for colomba is almost a goo due to the proportion of butter and eggs.

After Maestro Caridi finished his two days, we had a crazy day in the Pastry Kitchen with Chef John and Chef Juan doing a tag team performance…er, demonstration.  They were simultaneously preparing dishes with instructions being shouted out between them like a yodel bouncing back from a facing hillside.

One of the Air Force personal assistants made this wonderful hazelnut and chocolate “pie” for pie day.

It was almost impossible to keep my notes straight but after weeks of practice with Chef John cooking multiple dishes as the same time, with me flipping back and forth between pages to get the instructions associated with the correct recipe, I just had to adjust my technique to directions being shouted out almost simultaneously for two different recipes from two different chefs.  Also, since Chef John hates down time, he would start yet another recipe while waiting for the previous one.  I often had three or four recipes being recorded at the same time.

Maestro Caridi has a collection of lamb molds some of which are 200 years old. He brought a few for his lesson.

That day we got experience with:

  1. Pasta Sfoglia (puff pastry)
  2. Italian meringue
  3. Italian buttercream in two flavors, one vanilla and one hazelnut
  4. Pizzette (tiny pizza to be served as a snack)
  5. A brownie-like creation with abundant nuts but no flour
  6. Cornetti, the Italian version of croissants but definitely different
  7. Pasta Frolla, a short crust pastry for tarts
Maestro Caridi soaking baba in rum syrup.

Friday morning was a market day, as usual.  The weekly open-air market in Soverato has really been picking up over the past few weeks:  more vendors, a larger array of produce, more customers.  I will definitely miss the array of foods available once I get home.  I’m even enjoying the chaos of the market.  Though I don’t speak much Italian, and I can’t understand a word of the local dialect, I know enough to make a purchase and occasionally trade a sentence or two back and forth with a vendor.

Gerard and Tommy discover that it isn’t so easy to shape baba using the traditional method.

Friday afternoon there were a few demonstrations back at school:  Frollini (a sweet pastry that can be baked on its own or filled), Chocolate Mousse, Chocolate Ganache and a range of Monoportion Cakes (basically, in this instance, thin sponge cakes cut into shapes and layered with buttercream and covered with glaze (or not).

Maestro Caridi’s Fraguni: worker’s pastry filled with ricotta cheese and salame.

Afterwards, we each had to make a batch of pasta sfoglia (puff pastry).  I don’t imagine that I’m likely to make it again but I felt like I did a credible job, never having done it before.  The first step is rolling butter into a perfect square, which I did by placing it on parchment paper then folding the edges of the paper over to make a square.  It was then pretty easy to roll the butter to the folded edges creating a perfect square.

Four of the possible ways to enclose the butter when making pasta sfoglia.

The butter went into the refrigerator while I rolled out the dough into a much larger square.  The sides of the square of dough had to be the length of the butter measured from corner to corner so that when the butter was put on the dough rotated 45 degrees, the four corners of dough could be folded over encasing the butter but not overlapping.

Mixing colomba in our workhorse of a mixer. Certain breads cannot be made without a machine. Whether that machine is powered by electricity or not is a different issue but there were machines before electricity.

It’s then a matter of putting the butter on the dough, folding the dough over the butter then going through a series of successive folds of the whole thing, rolling and chilling between each, to achieve a block of pastry with 576 different layers after four successive folds.  With one more fold, you’d end up with 2304 layers but by then there is a real risk of having each layer be so thin that the butter leaks out.

During pastry week we were joined by an alumnus of the program, Chef Jordan. Jordan made an amazing fried chicken dinner for us.

There were no further plans to use the pasta sfoglia.  We were to just have the experience of making it.  It all got put in the freezer while we took a one-day break.  However, the pastry came in very handy during the menu execution that started the day after Pastry Week ended after Chef John made a last minute “suggestion” to improve one of our dishes.

Colomba cut to reveal the very irregular holes that result from using Lievito Madre. This is one of the ways to distinguish artisan colomba from mass-produced colomba.

Stay tuned…

Calabria Dispatch #14: Gelato and Meatballs

March 11, 2019

Forget Fellini, he’s small fry.  (See a prior post).

Risotto, the first course for lunch on Sunday.

This past week was Gelato Week.

The second course of lunch on Sunday: roast pork, mashed potatoes and broccoli.

We started out gently on Sunday the 3rd, belying what was to come next.  We had a free morning then had lunch of Risotto followed by Rolled Stuffed Pork with Mashed Potatoes and Broccoli followed by an Orange Marmalade Crostata (from marmalade we made during conserves week) in individual butter crusts that Ryan spent the better part of a day making.

Sunday’s lunchtime dessert: orange crostata made with orange marmalade from Conserves Week.

In the afternoon we went to three gelaterie (plural of gelateria) to taste and critique gelati.  Chef Juan suggested that we sample the same gelati at each shop so we had a consistent point of comparison.  He further suggested that the two gelati be Fiordilatte and Nocciola (hazelnut).

Fiordilatte is absolute simplicity, consisting of milk, cream, and sugar.  There’s not even any vanilla.  There’s no hiding poor quality when making Fiordilatte.  In addition, Fiordilatte is the base for many different gelati so tasting that one gives a strong clue to the quality of many others, including many fruit gelati.

Nocciola is flavored with hazelnut paste—a very expensive nut paste if it’s made well.  Nut-based gelati are very popular in southern Italy and cost almost twice as much to make as Fiordilatte due to the cost of the nut paste.  Tasting a nut-based gelato is a good way to see if a gelateria is cutting corners, either in quantity or quality of nut paste.

A tub of hazelnut paste. Nut gelati, when made well, cost about twice as much as more basic gelati.

We were, in fact, allowed to order as many different gelati at each shop as we wanted.  Most of us just ordered two, with one or two people also ordering an extra pistachio gelato to share.

We got back to school late afternoon and had a few free hours before dinner.

Chef John making roasted Italian Meringue “Marshmallows” for gelato.

Monday started with several hours of lecture about gelato, including topics like serving temperature; ideal qualities (sweetness, creaminess, fluffiness, yumminess, and stability); ideal ranges for each of the major compounds in gelato (fat, sugar, protein, solids, etc.); anti-freezing power of different ingredients in gelato; basic gelato equipment; major indicators of poor quality gelato; gelato “pre-mixes” (the gelato equivalent of a boxed cake mix…you can guess how Chef feels about these!); and the differences between sorbetto, cremolata, and gelato.

Chef John lecturing about the science of making gelato.

Around 11 AM we had a brief pause for a “grilled cheese” sandwich of house-made Porchetta and Fontal cheese on house-made rolls, cooked in truffle butter!  Truffle butter here is made from whole fresh truffles smooshed with butter—none of the (fake) “truffle” oil.  This was just to tide us over until lunch at 1 PM which consisted of a caprese salad and focaccia followed by pasta e fagioli.

Pasta e Fagioli, part of our lunch on Monday.

The afternoon was taken up by the production of a number of different gelato bases that were pasteurized and then refrigerated.  The texture and flavor of the gelato improves if the mixture (called the base) is refrigerated for 24 hours before gelling.  The following bases were made:

  1. Fiordilatte (milk, cream, sugar, dextrose, skim milk powder [needed for extra protein] and guar gum and locust bean gum [as stabilizers])
  2. Caramel
  3. Nut base (to be mixed with various nut pastes for an array of gelati)
  4. Strawberry Sorbetto (a sorbetto is a gelato without dairy products)
  5. Lemon Sorbetto
  6. Savory Peanut Gelato
  7. Orange Cream Gelato
  8. Coffee Gelato
  9. Rum Gelato
Strawberry sorbetto being gelled in the batch freezer.

Don’t freak out about the guar gum and locust bean gum.  Both are really agricultural products that have been eaten for hundreds of years.  The alternative is using egg yolks, which are used in some gelati and which are more common in northern Italian, rather than southern Italian, gelati.  The disadvantage is that egg yolks introduce an eggy taste.

On Tuesday chef made the base for a chocolate sorbetto.  Remember, sorbetto has no dairy products.  When it was frozen it was absolutely delicious.  If you didn’t know, you would never imagine in your lifetime that it had no milk or cream!

The weather was perfect for Gelato Week. I was sitting out on the terrace by the dining room when I took this totally impromptu photo.

Chef also made a “Yellow Base” using egg yolks and mascarpone, which was ultimately turned into Vanilla Gelato, as well as a Strawberry Coulis that was later swiped into a simple Fiordilatte gelato.

As the day progressed, many of the gelato bases from the previous day were frozen and then, of course, eaten.  When I say many, I mean MANY.

Though not specifically relevant to Gelato Week, here’s a glimpse of the cured meats we started several weeks ago during Pig Week.  The “hanging room” is adjacent to the Pizzeria so we got to check on these during the pizza party on Friday.

Since Tuesday was Fat Tuesday, and this being Italy, we ate well.  In between various gelati, lunch consisted of several meatball creations.  One was meatballs put onto a very large ring-shaped bread with lots of tomato ragu and cheese.  The next were meatballs cooked with sweet peppers and also made into sandwiches.  The third was meatballs and sauce on ciabatta.

Chef John making meatball sandwiches for us on Fat Tuesday.

Most of the afternoon was devoted to making gelato bases.  We each were tasked with coming up with a flavor of gelato, with swipe-ins and toppings if desired, and executing it.  Executing gelato means math.  There are ideal proportions for each chemical component of gelato and we had to create our formulas to achieve these proportions.  For example, milk is not just milk, it is water, sugar, fat and protein.

A slice of meatball sandwich. We had lunch in the kitchen on Monday as there was lots of work to do.

The optimum proportions of each ingredient, according to Chef are:

  1. 6-12% fat (less than ice cream)
  2. 16-22% sugar, of which glucose is not more than 20% (more than ice cream)
  3. 8-12% skim milk solids
  4. 58-68% water
  5. 32-42% dry residual

This adds up to more than 100% because the dry residual is not a separate category but is the combination of anything in the gelato mix that remains behind if it is dried out, e.g. milk solids, sugar, etc.

Meatballs with sweet peppers ready to be put into another sandwich.

Coming up with a new gelato formula, then, means determining which ingredients in which proportions will produce a mix of the desired qualities.  Of course, this is only the beginning.  The gelato has to taste yummy, too.  But getting the numbers correct is a step in the right direction.

Chef John filling our housemade ciabatta with meatballs and peppers.

I chose to make Tiramisu gelato for which I needed to come up with a Mascarpone gelato base.  I then needed to make tiny, tiny cakes flavored with espresso that were baked, dried and re-baked until crisp before being soaked in rum syrup and dropped into the gelato while it was being extruded.  On top was a drizzle of chocolate mixed with oil so it would not get too hard.

Chef John making Stracciatella Gelato which is Fiordilatte with melted chocolate drizzled on top. The chocolate bits are worked into the gelato as it is portioned out.

Wednesday started with an explanation of how to make Brioss (dialect for Brioche).  These are similar to French Brioche.  They are used for gelato sandwiches.  Unlike American “ice cream sandwiches,” these are truly sandwiches:  fluffy, slightly sweet brioche filled with different flavors of gelato, often three of them.

Frutti di Bosco gelato is often a berry reduction swiped into Fiordilatte gelato.

Chef gelled some of the Fiordilatte base from the previous day and made Stracciatella (ragged) gelato.  Stracciatello gelato  is basically Fiordilatte on top of which is drizzled wisps of melted chocolate which are broken up and worked into the gelato when it is served.    Chef also made Frutta di Bosco (fruit of the forest) gelato (mixed berry gelato) after which Chef Juan made Masa Chablon (a chocolate coating) using white chocolate.

Annie, a pastry chef from the Philippines joined us for Gelato Week. She made this amazing dessert for dinner one evening.

Chef then made his knock-off of Nutella, which he had made previously.  It is simply a mixture of about 2 parts melted, high-quality milk chocolate and 1 part hazelnut paste with a pinch of sugar.  Without a doubt I could sit and just eat tubs of this stuff.

Nut pastes in Italy are truly amazing—and very expensive.  They are basically nuts, and nuts only, ground under heavy rollers until they produce the most ethereal and wildly flavorful creamy pastes.

Hazelnut paste. Nut pastes in Italy are absolutely amazing creations.

I had a revelatory moment when Chef made white chocolate crumble.  This is truly amazing.  Just take a big bar of exceedingly high-quality white chocolate and put it in the oven at 180°C until it turns light brown all over and the entire thing caramelizes.  Let it cool, crumble it, and drizzle with a bit of salt.  You will have no idea it is white chocolate and it is the most sublime crunchy crumble for an enormous array of desserts.

You have to make this Caramelized White Chocolate Crumble if you never, ever cook again in your life!

In the afternoon we started gelling the gelati we mixed up the day before.  As they were made, they were dished out for the entire class.  Here’s the rundown of what we ate:

  1. White Chocolate Gelato with Caramelized White Chocolate Crumbles (see the previous paragraph)
  2. Coffee Gelato with a Toasted Walnut Swipe
  3. Almond Milk Tea Gelato
  4. Almond Gelato with Milk Chocolate Stracciatella
  5. Chocolate Sorbetto
  6. Spicy Chocolate Gelato (made with the addition of pepperoncino syrup)
  7. Amaretto Gelato with Chocolate and Chopped Almonds
  8. Tiramisu Gelato with Rum-Infused Coffee-Flavored Cake and Chocolate Drizzle (mine)
  9. Strawberry Gelato with Zabaglione
  10. Savory Peanut Gelato with Italian Meringue Toasted “Marshmallows”
  11. Orange Gelato with Chocolate-Dipped Candied Orange Peel
  12. Pineapple, Ginger, Turmeric, and Basil Gelato with a Honey Drizzle
  13. Red Wine Gelato with a Pecorino Cream Swipe and Candied Pancetta
Chef John dishing out orange gelato which tastes like a fantasy version of a Creamsicle.

We stopped there and continued the next day with:

  1.  Vanilla Gelato topped with cubes of Pandoro (a sweet bread like Panettone without the fruit)
  2. Earl Grey Tea Gelato with a Dried Fig Swipe
  3. Gorgonzola Gelato with a Pear Coulis and Chopped Walnuts
Ziti in their native form. They are meant to be broken into edible bits. Several students wanted them served without breaking. They were difficult to plate and even more difficult to eat.

We didn’t make it to the last one:  Bourbon Brown Sugar Gelato which we had the next night after dinner.  It was wonderful.  It was just a Fiordilatte base with Bourbon poured in.  I am definitely going to make this one!!  I offered, multiple times, to store it in my freezer but so far that hasn’t happened.

We stopped at Soverato Dolci en route to the market on Friday. I had this Amarettone which is basically a chewy amaretto cookie studded with almonds.

On Friday, the last day of Gelato week, we had an extended lecture about setting up a gelato business including necessary equipment, layout of an ideal gelato kitchen (or gelato lab, as it’s called here), pricing models for gelato, showcasing and storage of gelato, and some business ideas.

Gelato week wrapped up with a pizza party—just a party this time, no contest—in the Pizzeria with the wood-burning pizza oven.  It was a relaxing end to a very educational, but exhausting, and overly caloric week.

Gelato Week ended with a Pizza Party.

Saturday was a free day.  Sunday started Pastry Week, for which three new students joined us.  Stay tuned…

Calabria Dispatch #13: Italy is Blessed With Poor Distribution

March 3, 2019

Sommelier Week ended on February 26th with a MORNING TASTING!  Got that?  Alcohol for breakfast!

The partial aftermath of Sommelier Week. There were more empties than these…and that doesn’t count the table wine with dinner!

To be sure, one reads lots about wine experts swishing and spitting when tasting wine, and I suspect they do much of the time.  I’ve always found that a bit curious though.  Granted, without swishing and spitting the accuracy and reliability of the tasting would decrease as the event went on.  Nonetheless, there is a whole sensory experience that happens when you actually SWALLOW the wine that cannot be achieved by swishing and spitting.  At least that’s been my experience.

Orlando’s coffee helped me get through Sommelier Week. After having two double espressos each morning started affecting my stomach (coupled with the other stuff I ate) I switched to cappuccino hoping the milk in the double espresso would be soothing. During Sommelier Week, Orlando started decorating my cappuccino with chocolate syrup.

I was pleased then, when on the first day of our Sommelier Week, Chef Mark McDonald suggested that we actually swallow the wine, at least once for each wine tasted.  I can truthfully report that everyone swallowed every time.  There was no swishing and spitting among members of our group.

Maria and Anna, our dishwashers, put up with messes like this, if not worse, non-stop in addition to cleaning up the various kitchens and kitchen equipment.

The MORNING TASTING started with a very small pour of each of two different vintages of a Lebanese white wine.  The vintages were 2003 and 2001.  Each wine could still age for another 10 years.  That is amazing for white wine!  And, when you consider everything Lebanon has been through it just nothing short of miraculous that wines like this are still produced.

We tasted two vintages of this truly amazing white wine from Lebanon.

We had a quick taste of a 1997 Riesling before moving onto beer.

Part of a brunch the chefs made for us: Eggs Benedict on Homemade English Muffins accompanied by Home Fries.

Think about it.  Beer is made from grain and yeast.  It’s really just liquid bread, right?  Not so bad for breakfast after all!

A few of the beers we tasted on the last day of Sommelier Week.

OK, OK, so I exaggerated a bit.  We spent a few hours in the kitchen preparing for the evening meal before starting our wine and beer tasting with Chef Mark.

My pasta alla chitarra set out to dry.

That evening was a new experience.  We’ve had pizza night where each of us made pizza of our choice in the wood-fired oven to share with everyone.  We had a menu execution for which, as a group, we had to create and execute a multi-course menu.  We had a pizza and cocktail night where, in teams of two, we had to devise a cocktail and a pizza that paired together and execute both in ten minutes!

Mariana’s wonderful Blood Orange Mimosas.

On the last day of Sommelier Week however, we each had to make a first course for 18 people.  These got executed in succession.  One student made a soup, another risotto.  The rest of us made pasta…starting by making the pasta by hand that morning.

My fanciful porcelain espresso cups made to resemble the plastic throw-away espresso cups seen in Italy.

In the lead-up to Pasta Night, each of us had to submit three different options for what we wanted to make.  The Chefs then got to decide which we would make.  We were informed of our choices in the morning and had to set about preparing everything for that evening’s dinner.

The lineup of pasta dishes for Pasta Night. We were not told of the order of service until immediately before we had to go into the kitchen.

I got to make Pasta Alla Chitarra with Mussels in Tomato Sauce with Pepperoncino.  My other options were Linguine with Clams in White Sauce and Lasagna Bolognese.  I have become enamored of the chitarra (see below).

Buildings in Tropea on a bluff overlooking the sea. The views are spectacular!

Chitarra is the Italian word for guitar.  It is also the word for a device that is used to cut pasta using guitar strings.  It fascinates me far more than cutting pasta using a pasta machine.  Apparently, the chitarra cuts the edges of the pasta more sharply causing a different reaction with the sauce than is obtained using a pasta machine (Italians are truly food obsessed and discussions like this are not uncommon, even among non-chefs).

Making pasta alla chitarra for my Pasta Night dish of pasta with mussels and spicy tomato sauce.

After each of us made and served our Primo Piatto (First Course, which can be pasta, risotto, or soup), the chefs each created a pasta.  Each chef, that is, except Chef John (who runs the school) and Chef Chris who was planning on making a Barley Risotto (Orzotto) which got shelved until Saturday dinner due to time constraints.  Chef Juan’s Chocolate Dessert Lasagna is the headline photo for this post.

Ryan’s ode to Rome his home city: a Colosseum-shaped raviolo filled with egg yolk and cream topped with cacio e pepe foam (which was beginning to melt).

It was a lazy few days after Pasta Night.  We had two days off followed by a slow Friday followed by another day off.

My Pasta alla Chitarra with Mussels and Spicy Tomato Sauce.

On Wednesday, the day after Pasta Night, eight of us hired a driver to take us to Pizzo and Tropea.  They are wonderful towns on the west coast of Calabria.  Both are also largely closed this time of year.

A view into the (closed) grotto church in Pizzo.

Pizzo is known for its Grotto Church, carved into the rock.  It was closed, though we did manage to snap a few pictures through the metal bars before leaving.

Ryan’s raviolo after being cut open. There’s also a graphic video that I don’t think should be posted on a “G-rated” blog.

We stopped for gelato across the street where the proprietor offered to call the manager of the church to see if he would open for the Americans.  Oh, if we had only come two days later when he had different hours it would have been possible.  (Possible only in the sense that the official schedule said the hours were longer starting March 1st, not necessarily that the official schedule would be adhered to [see below].)

The town of Pizzo where we had lunch outdoors in the piazza. Note, this is not the piazza it is the main street that has been partially taken over by restaurants. The piazza is to the left of the gray car in the foreground.

After gelato, we met our driver who, before taking us to Tropea, asked us if we wanted to stop at the castle in Pizzo, telling us that it was open.  We agreed.  The castle, however, was not open even though the signage indicated it should have been open (see above).  The benefit, though, was that the castle, unlike the church, was near the piazza, which we otherwise might have missed, and where we had a wonderful al fresco lunch before heading to Tropea.

The castle in Pizzo, which was also closed, despite the sign that said it would be open.

I had fileja (a local pasta not unlike strozzapreti, but thicker) with a sauce of ‘nduja and tomato.

A view to the sea through a stone tunnel in Tropea.

Tropea was also, largely, closed.  There is a small Alimentari (food shop) that several members of our group had been to on a prior visit but it was closed when we arrived.  Since most businesses in Calabria (except restaurants) close from 1 to 4 (or 5) it wasn’t clear whether the shop was closed for the season or for the afternoon.

The Alimentari in Tropea where I bought ‘nduja and pepperoncino.

Lucky for us, the Alimentari was just closed for the afternoon.  After padding around Tropea, and finding a crumbing building perched on a bluff overlooking the sea that needed to be purchased and rehabbed, we discovered that the shop was open.  I bought two ‘nduja salami and a big package of pepperoncino.

A building in Tropea in need of rehab. The opposite side of the building has commanding views over the sea from its perch on a bluff.

Our luck did not hold out with the restaurant where we wanted to have dinner so, around 5 PM we headed back to the school where we had dinner prepared by Chef Chris.

A small beautifully rehabbed building in Tropea. See the photo above and imagine how beautiful that Palazzo would be after being rehabbed.

Thursday was another free day.  The chefs made us an amazing brunch.  Mariana started us off with Blood Orange Mimosas made from freshly squeezed blood oranges.  This was followed by Eggs Benedict on Homemade English Muffins accompanied by Home Fries.  Next came Waffles with Market-Fresh Strawberries and Whipped Cream.

Waffles with whipped cream and strawberries rounded out Saturday’s brunch extravaganza.

I opted for a 2 hour and 45 minute walk in the afternoon which included exploration of the hypermarket, Paoletti, in the nearby seaside town of Montepaone Lido.

A cake slicer found (but not [yet] bought) in the Paoletti hypermarket in Montapaone Lido. I can probably get this on Amazon but if there’s room in my suitcase it’s flying home with me.
Friday morning was a trip to the market followed by a free afternoon.  After the market in Soverato, we went to a restaurant supply store in Catanzaro Lido and then to the Guglielmo store.

Sitting on my kitchen table is part of my shopping haul from Friday: a press for fruit and vegetables…oh, and that octopus carpaccio!

Guglielmo is a local coffee roaster, the fourth largest in Italy.  Between the restaurant supply store and the Guglielmo store, I made quite a shopping haul.  Frank had taken my previous purchases (2 VERY LARGE sauté pans for pasta, 5 cookbooks, silicone molds, plastic drying racks for pasta and cheese, and four jars of spicy condiments) back to the States leaving me with more free space in my suitcase.

I know it doesn’t look like much but the coating on this Italian butcher’s twine means I can basket weave an entire cut of meat without the twine fraying.

On Friday I bought a chitarra for pasta (see above); a press for fruits and vegetables (but also used at the school for octopus and terrines); a specially coated twine used for cured meats (much better than the butcher’s twine available in the States); plastic inserts for canning jars to keep the contents submerged under brine, vinegar, or oil; and porcelain espresso cups made to look like the flimsy disposable plastic cups used throughout Italy.

My newly acquired chitarra for pasta. I will incorporate it into the cooking classes that I’m going to start teaching after I return to the States.

Saturday was another free day.  I was in the kitchen, however, experimenting on a focaccia recipe and making a batch of Carne Adovada thanks to Frank who brought New Mexico red chile on his recent visit.

Plastic inserts for canning jars to keep the solid contents submerged below the liquid.

Whenever we discuss the high quality of raw ingredients available in Italy, Chef John often points to the poor distribution system which means that most food is hyper-local.  International foods are in very short supply but if you can content yourself with Italian food, the hyper-local nature of the food supply means that meals are based on super-good and largely local ingredients.  Seasonality is a way of life.  Italians eat what is in season.  Not only is it better, it is cheaper.  For example artichokes are now 10 for €4, less than half of what they were just a couple of weeks ago.

Tropea is known for its onions. I don’t know if we can grow onions in Santa Fe but we’re sure going to try. I wonder how they’ll compare to ones grown in Tropea.

As Chef John says, “Italy is blessed with poor distribution.”

A view of the sea in Tropea. The church on top of the hill was also closed.

Calabria Dispatch #12: How Far Over The Top Can We Go?

February 27, 2019

I feel like I’m living in a Fellini movie.  Consumption of food and alcohol has reached amazing proportions.  Take Monday for example.

Broccoli Rabe and Burrata with Lemon-Anchovy Dressing

Monday, February 25, 2019 was day five of our sommelier training.  Sommelier days started in the kitchen with food preparation and consumption and ended with about three to four hours of wine tasting (followed by dinner…and more wine!).

Cooked and pressed octopus ready to be thinly cut into carpaccio

The previous night, Sunday, we went out for pizza, drinks and karaoke so Monday started at the unusually late hour of 10:00 AM (except for those of us who had signed up for baking duty).

Tortino di Semolino with Fried Egg, Steamed Spinach, Tomato Sauce, and Feta Cheese

In the kitchen at 10 AM Chef John immediately prepared a plate of Tortino di Semolino (similar to semolina gnocchi but cut into larger pieces) accompanied by a fried egg, steamed spinach, tomato sauce and feta cheese.  Next we had a bowl of tripe stewed in tomato sauce, topped with battered and fried onion rings and seared foie gras and accompanied by crostata.  Following that was Bavette (similar to linguine) with a sauce of baby octopus and tomato sauce and plated with octopus carpaccio.

Tripe with Onion Rings and Foie Gras

At this point it was now noon.  Only two hours had passed and we had consumed a day’s worth of food.

Bavette Pasta with Baby Octopus Ragu and Octopus Carpaccio

Shortly after noon we were served maltagliati pasta with braised oxtail, fava beans, rosemary oil and Parmesan cheese.  This was followed by a “milkshake” made of housemade fior di latte gelato, heavy cream and bourbon vanilla paste!  Now it was shortly after 12:30.

Tuna Croquette with a Sauce based on Shrimp Demi

We were turned over to Chef Juan for a lecture on food costing during the height of our postprandial somnolence.  At 2:15 we went into our fifth day of wine tasting with Chef Mark.

Quail Stuffed with Truffles and Cream, fried in Extra-Virgin Olive Oil and Lardo di Colonnata and served with Potato-Celery Root Puree, Beets, Pomegranate Syrup and Pomegranates

We tasted only four wines, a very short list compared to the other days, as Chef Mark was making a five-course wine-pairing dinner for us that evening.  The afternoon wines were paired with a dish of boned quail stuffed with truffle-and-cream laced bread stuffing, seared in a mixture of olive oil and lardo di colonnata, served with a potato and celery root puree, matchstick beets, seared cauliflower, pomegranate syrup and pomegranate.  The idea was to evaluate how each of the wines paired with this very complex dish.  (Generally not well, is the answer.)

Soft-Shell Crab Sandwich on Butter Bread with Cheese and Tomato Sauce

Blessedly, we had a few hours off so that Chef Mark could cook.  Around 4:30 I headed to my suite.  At 5:00, I decided to take a quick nap, thinking I really wouldn’t sleep.  When my alarm went off at 7:00 I couldn’t figure out why the alarm was sounding before the sun had risen.  It took me a few moments to realize it was evening and I had to be at dinner at 7:30.

 

The beginning of Sommelier Week. More bottles were added as the week went on.

Dinner was a five-course meal that was NOT Italian but that was designed to explore wine pairings.  The first course was an Indonesian-inspired shrimp curry in coconut milk.  Next was a vegetarian plate of broccoli and cauliflower, each prepared three ways including pureed, pickled, and cooked.  Next was Mexican-inspired albondigas soup in a very flavorful broth made from house-cured pancetta and multiple types of dried chile.  The main course was chicken thighs braised in beer.  The braising liquid was used as the base for a peanut mole.  The dish was served with a cornbread that was very much like a corn pudding.  Dessert was a tris of gorgonzola:  gorgonzola cheesecake sprinkled with chopped pistachios, shortbread with a gorgonzola cream sauce and a sweetened pistachio puree, and a ball of gorgonzola with orange blossom honey.  Each dish was accompanied by a different wine, except for the chicken which was accompanied by the same beer I which it was cooked.

Doesn’t this sound like a Fellini movie???

Pasta alla Sarde but made with Anchovies

This is pretty much how the previous four days had gone, as well.  The first day of this week-long session was Thursday the 21st.  It was the first day after our five-day break.  In the morning we went to the market in Catanzaro Lido.  Frank was still with me.  We were looking at the stall of a vendor selling ceramic and terra cotta wares.

Chef John demonstrates how to clean and butcher Spatola, a long fish that is similar to a Barracuda

I was quoted a price of €10 for a ceramic spoon rest.  I thought it was expensive compared to other similar items that actually had price tags.  I was about to leave when an Italian woman came up and began a very animated conversation with us.  I told her, in my limited Italian, that I was a student at the culinary institute.  The conversation continued for a while with me struggling to understand and respond.  Then she pointed out a two-part terra cotta contraption meant to hold a candle to heat ‘nduja in a small terra cotta bowl.  The warm ‘nduja was to be spread on bruschetta.  I confirmed that I loved ‘nduja.  She told the vendor to give us a good price so I took the plunge and said I’d take the spoon rest and ‘nduja warmer, expecting to be quoted something like €25.  Instead, the price for both was €13!

When Frank and I wrapped up shopping, we sat at a nearby bar (a “bar” is a coffee bar in Italy) having espresso.  Teresa, our new friend from the market, came by and said she was buying us another round of coffee.  She did so and briefly sat with us.  She is a commanding presence.  Despite being very lively, she spoke Italian (to us) clearly and slowly so that I understood almost everything, learning about her children who are living in Russia, for example.

One view at Scolacium Archaeological Park

Following the market, we went to Scolacium Archaeological Park.  The area of the park was originally inhabited by the Greeks, followed by the Romans, followed by… you get it, the usual story of Italy!  It was discovered when the owner was working on his olive grove.

Back at school, lunch was a multi-course affair that included rabbit, which Frank loved.  (Don’t tell his mother!  He’s convinced her that he doesn’t like rabbit which, of course, isn’t true.  He’s also convinced her he doesn’t like fish and soup which also isn’t true.)

Octopus Carpaccio

That afternoon was our first session with Chef Mark McDonald, who is also a sommelier.  We were instructed in a method to analyze wine, and tasted five different wines.  I’m sad to say I didn’t make any notes about dinner, nor did I take any pictures so it’s lost.  I know for sure that I didn’t have any wine!

The next morning, we started with hands-on in the kitchen.  Afterwards,  Chef John used many of the ingredients we had prepped to make dishes for us to eat.  I took the lead on making spinach pici.  Pici are thin, rolled pasta similar in length to spaghetti but a little thicker, and hand rolled.  As I write this, the pici have not shown up on any plate served to us.  Sometimes the Chefs eat the food, sometimes it has to be disposed of—but rarely—sometimes it appears weeks later!

Chef John whipping up a batch of Lollipop Frogs’ Legs in Browned Butter

First to be prepared and served was Broccoli Rabe and (huge balls of) Burrata and dressed with extra-virgin olive oil (we go through gallons per week), lemon juice, anchovies and garlic all blitzed in a food processor.  Following that we had a riff on a Sicilian dish, Pasta alla Sarde, but made with anchovies which Chef John prefers to sardines.  We tasted house-cured Bottarga and then moved on to an exceedingly complex Zuppa di Pesce (fish soup).

A view near the end of Sommelier Week. The reality of what we consumed was much worse!

To make the fish soup, Chef John first made a light Fish Stock from bones and heads with some veggies and tomato puree.  He cooked mussels and added the cooking liquid to the broth which was ultimately frapped and strained before using.  He baked whole langostino after coating the tails in seasoned breadcrumbs.  He sautéed shrimp in shrimp butter which was made by combining equal parts butter and fresh, whole shrimp and cooking and mashing till the shrimp started to crackle and brown after which the butter was strained and the shrimp discarded.  He cooked branzino (sea bass) filets in butter.  Then, and only then, was the soup assembled.  Into the bowls went mussels, branzino, shrimp, and fish broth.  On top went the langostino.  A piece of focaccia was artistically inserted along the side.

Baccala Sausage with Polenta and Salsa Livornese

The soup was followed by lolipopped frogs’ legs (that we had previously prepped and which had been frozen for a couple of weeks) cooked in brown butter then doused with prosecco.  After the frogs’ legs he made Sarde in Saor, a Venetian dish of floured and deep-fried sardines layered with an onion mixture.  The onion mixture is made by cooking lots of thinly sliced onion in lots and lots of olive oil.  When soft, vinegar and sugar and raisins are added.  Mercifully, this dish needed to marinate so it didn’t get served until dinner.

Chef also demonstrated how to make conserved tuna and his version of eggplant parmigiana.  The parmigiana also appeared at dinner.  The tuna is in jars waiting for another day!

Chef John demonstrates how to cook tuna for Tuna Conserve

At this point, Chef Mark got us for an afternoon of wine tasting.  We tasted seven wines before I took a pre-dinner nap!

The next day, February 23rd, started with making two breads: Honey Bread and Butter Bread.  Both would end up on plates over the next two days, most notably, the butter bread was used to make soft-shell crab sandwiches!

Chef then made, and we ate, fish tartare with crispy fish skin.  Following this was a beautiful octopus carpaccio (the extra of which would be served on the 25th along with pasta and a sauce of baby octopus).  Chef then made two different olio cotura dishes, one salmon and one spatula.  Spatula is a long fish with nasty sharp teeth that looks like a barracuda.  Olio cotura basically involves poaching something in oil.  We ate both of these later in the day served with a caper foam that Chef Juan whipped up.

The day in the kitchen ended with Vitello Tonnato, traditionally thinly sliced cold poached veal served with a tuna fish mayonnaise and capers.  Rather than poach the veal, Chef cooked it sous vide.  The small amount of liquid from the sous vide was incorporated into the mayonnaise along with house-cured tuna.  After the Vitello Tonnato we had Tomato Soup made from house-canned tomato puree followed by Milanese, thinly sliced veal or beef, breaded and fried in CLARIFIED BUTTER!  We went to the dining room for lunch (yes, lunch) of pasta with a sauce of pureed house cured and smoked salmon and cream.

Vitello Tonnato

Chef Mark then started an afternoon of wine tasting.  I think we had six wines based on my notes.

On the 24th, Chef demonstrated the cooking of the oxtail that was served on the 25th with pasta and fava beans.  He also started the baby octopus sauce for the next day.  With those demos out of the way, he cooked something that was served to us:  Chick Peas with Infused Olive Oil, the kind of simple peasant food that I love!

Chef Mark’s Shrimp Curry

We then had Tuna Croquettes served with the Shrimp Demi followed by sausages made of Baccala (salted cod) [for which Chef Juan stood in the back of the kitchen for over an hour stuffing tiny, tiny casings using a funnel and his fingers] served with polenta and Salsa Livornese!  We made two kinds of Arancini but after I deep-fried the first batch, the remainder were put away for another day (sometimes restraint shows through but not often!).

Chef Mark’s Broccoli and Cauliflower Contorno

Chef started the tripe that was served the next day as well as his take on Buffalo Wings, involving turkey wings, pepperoncino picante and 20 hours of sous vide before the cooking liquid got turned into a sauce using ‘nduja and butter!  These didn’t make it to the table until the afternoon of the 26th when they were served with a beer tasting headed up by Chef Mark.

Chef Mark’s Albondigas Soup in Pancetta and Chile Broth with Avocado

Chef demonstrated the preparation of the quail that would end up on a tasting plate the next day (truffle stuffing, seared in olive oil and lardo di colonnata, etc…).  The day in the kitchen ended with battered and fried soft-shell crabs served on butter bread with tomato sauce and cheese!

Chef Mark’s Chicken Mole with Corn Pudding

Chef Mark’s wine tasting involved five wines.  We had a few hours to recover before going out for pizza, karaoke and alcohol.  The school paid for the first round of drinks for everyone.  A few of us then ordered another drink not knowing that Chef Mark would buy bottles of liquor for the table!  I was among those with the smallest alcohol consumption that evening (three Jack Daniels’, two Obans, two Rums, and about 3 or 4 Gins—one of which involved a bottle being poured into my mouth [well, mostly onto my face] while on the dance floor).

Chef Mark’s Gorgonzola Tris for dessert

You now understand why the next day started at 10 AM instead of 9 AM

Calabria Dispatch #11: If It Doesn’t Taste Yummy It’s Worthless

February 20, 2019

I am sitting in the servants’ quarters as I write this.  The servants’ quarters of a palazzo in Matera.  The Palazzo Gattini, in Piazza Duomo, is now a luxury hotel.  Around the corner and down some stairs are the former servants’ quarters, now turned into short-term rentals.  Ours is in Dimora Santa Barbara hosted by a wonderful father-son duo, Angelo and Ivan.

Frank in the living room of our rental in Matera

I couldn’t be happier.  The suite is massive; definitely bigger than my first house.  It has a separate fully-equipped kitchen, a large salon set up as both a living and dining room, a bedroom that is up a flight of stairs and overlooks the living room, and a bathroom.

The kitchen of our rental in Matera

The floors are marble and granite, the furnishings are antique, and the lighting is soft.  It is also blissfully quiet.  I could spend weeks, perhaps months, here but, unfortunately, it will only last two days.

China cabinet with view to kitchen

Let me fill you in on what has happened since my last blog post.

A view of Matera

The week of conserves and mixology ended on February 15th with what was billed as a “Pizza Party.”  Ha! It was not a party, it was a contest.  At the end, everyone was hungry because every two students made one small pizza, half of which was eaten by the judges.

Cured salmon wrapped in a flexible bread spread with cream cheese and topped with caper berries at the Italian Culinary Institute

We were randomly assigned to teams of two.  Tommy Palmer and I were a team.  The premise was that each team had to create a pizza from a basket of ingredients that would change from team to team using a maximum of five ingredients, not including the crust, and pair it with a creative cocktail using a maximum of five ingredients, not including garnishes, from a well-stocked bar.  The clincher was that we would have 10 minutes to make and bake the pizza and create the cocktail after we were given our basket of ingredients!

A church in Serra San Bruno, part of our sightseeing excursion with Great Aunt Fidalma and cousins Massimo and Francesca from Tuscany

Once the ground rules were laid out, each team was given time to discuss cocktails with our mixologist, Agelos.  The conversation happened at the bar inside the school.  When our turn came, Tommy and I each took a seat at a bar stool and Agelos stood behind the bar.  He offered us each a shot.  We accepted.  He poured one for himself too.  We talked about strategy for pairing cocktails with pizza and how to have a plan that could be finalized and executed within the allotted 10 minutes.

Fritters with tiny, tiny fish were the start of our lunch at La Cabana restaurant in Pietragrande

Tommy and I then went off to discuss how we were going to tackle the task, knowing what ingredients we had to work with at the bar but not knowing what we had to work with for the pizza.  We also decided that Tommy would make the cocktail and I would make the pizza.

After plates of pasta, Frank and I shared this “salad” as our second course for the lunch at La Cabana restaurant

We had a couple of free hours before we had to assemble at 5 to start the contest.  About 4:45 my husband, Frank, arrived with Great Aunt Fidalma and cousins Massimo and Francesca from Tuscany.  They had all met up at the airport in Lamezia and driven to the school together.

Great Aunt Fidalma, far right, enjoying conversation with Francesca and Frank at Al Fondaco

Chef John saw that they were well-fed with house-cured meats, small sandwiches and pizza while we had our contest.

Tommy and I had decided that our theme would be Southern Italian.  That meant we would do a spicy pizza based on whatever spicy ingredients were available (it was unthinkable that there wouldn’t be at least ONE spicy ingredient) and that our cocktail would have citrus for which Southern Italy is well known.

Al Fondaco’s beans and greens; one of many dishes that form the antipasto course

We were introduced to our basket of ingredients by Chef John.  We had Bomba Calabrese, pickled pepperoncini, thinly sliced scallions, pizza cheese, Pecorino Romano cheese, anchovies, and sgombro (mackerel) that had been delicately braised.  We also learned that the two minutes Chef John took to explain our ingredients were deducted from our 10-minute allotment.  We now had 8 minutes to make a pizza and a cocktail.

Stewed tripe is part of the antipasto course at Al Fondaco

I was hoping for arugula and pepperoncino oil so that I could top the pizza with something fresh that would also scream Southern Italy but it wasn’t to be.

Tommy went off to make the cocktail: one part lemon syrup, one part Aperol, and two parts gin stirred with ice, poured into a large ice-filled wine glass, topped with prosecco, sprayed with lemon and orange oil from freshly cut peels, and garnished with basil.

The very Italian chandelier in the main room of our rental in Matera

For the pizza, I stirred Bomba Calabrese into the tomato puree to evenly disperse the heat.  I rolled out the crust, topped it with the sauce, pizza cheese (pasta filata) and a small amount of Pecorino.  Thinly sliced onions were the closest I was going to come to a vegetable so those got added.  When the pizza came out of the oven, I topped it with small bits of scombro for my best attempt at a delicate freshness.  I avoided the anchovies as being too strong and the pickled pepperoncini as being to acidic.

Tommy putting the finishing touches on our cocktails just as the pizza came out of the oven

Although Tommy and I didn’t win, Chef John held up a slice of the pizza to display, describing it as a perfectly baked pizza (smile).  Many of the students came up to Tommy and told him that they could have drunk our cocktail “all night.”

When the contest was over, a few of the students baked pies that were shared but these still didn’t satisfy everyone’s hunger.  So, while Agelos set about making a dirty vodka martini for Frank, with the dirty part being a few drops of Bomba Calabrese oil and a few drops of rosemary-infused extra virgin olive oil floating on top, Chef Juan and Ryan set about making a kilo of spaghetti con aglio e olio.  It went so fast that a second kilo followed immediately behind!

A street scene in Matera

When the evening was over, a few of us ended up in Agelos’ suite drinking and talking until 3 AM.  Agelos was still raring to go but the rest of us were anxious to get some sleep.

The next morning, I had breakfast with the relatives while Frank slept.  Not only was he time-shifted by 8 hours, he hadn’t slept for 40 hours before our 3 AM curfew!

Looking out over chimneys from Piazza Duomo in Matera

Mid-morning we headed to Soverato Dolci for coffee and pastries before driving to Serra San Bruno in the mountains.  The museum was closed so we headed back down the mountain to “il mare” (the sea) where it was warmer.  We had a very nice lunch at La Cabana restaurant on the beach (literally) in Pietragrande, the beach town below the school.

Another view of Matera

After a few hours of down time we went to Al Fondaco for dinner.  Al Fondaco serves superbly prepared Calabrian food.  We ordered wine and antipasto to start since the server said that the antipasto was “abondante” (abundant).  It sure was.  Over the course of an hour we got plate after bowl after platter of food.  We did manage to order a few plates of pasta after the antipasto (and a second liter of wine) but anything more was unthinkable, except, of course espresso and an amaro.

The first of about 18 plates of food that comprise the antipasto course at Al Fondaco

We went to bed happy and full.  We also woke up happy and full!

After a leisurely breakfast on Sunday the 17th we drove to Soverato and walked the lungomare (walkway along the sea); what Italians would call la passagiata.  Since it was Sunday, lots of folks were doing the same.  We had lunch at a small restaurant in Soverato followed by pastry and coffee at Soverato Dolci.

Along the lungomare in Soverato (left to right) myself, Massimo, Great Aunt Fidalma, Francesca, Frank

We drove to Lamezia and had an unremarkable drive through the old part of town before heading to the airport and saying goodbye to Zia Fidalma, Massimo and Francesca.

Rolled and stuffed eggplant at Al Fondaco

There were a few of us at the school for dinner.  Chef John had prepared an amazing dinner of ricotta gnocchi with spicy sausage in tomato sauce followed by a shredded cabbage salad which was followed by beautifully sautéed pork medallions with a rich sauce (I’m ashamed to say I don’t remember what the vegetable was!).  For dessert we had a caramelized ricotta cheesecake with rum-soaked raisins.

Chef John’s ricotta gnocchi and spicy sausage

After breakfast the next morning, Frank and I set off for our adventure in Matera, an adventure that started in the servants’ quarters of a palazzo in Piazza Duomo.  Before that, however, we had some really good sandwiches at an AutoGrill on the Autostrada.  The quality of the food in Italy is amazing.  Here we were, essentially at a place to grab a quick bite at a highway rest stop and the sandwiches were memorable!  The gas station attendant also ran a small shop selling Calabrian food products.  Seasonal and regional are BIG concepts in Italian food.

Chef John’s caramelized ricotta cheesecake with rum-soaked raisins

Matera is a UNESCO World Heritage Site.  It has a long (and at times disturbing) history.  I won’t try to recap Matera’s history here since that is better covered by travel books and websites.  But I will say that it is worth every minute of a long visit.  I’m sorry that we’re only here for two days.

Yes, those are bones holding up a rain gutter on a house in Matera!

While here, we’ve been trying to eat local food.  The area is famous for peppers that are fried until crispy and dark in spots.  Interestingly, they are not at all spicy but they are very flavorful.  As Chef John says, “If it doesn’t taste yummy it’s worthless.”

A Passion for Traditional Recipes