Risotto with Butternut Squash

February 22, 2018

Risotto isn’t really a recipe.  It’s a technique.

Yes, there are a few quintessentially classic risotti for which precise instructions are needed (like Risotto alla Milanese) but, in general, you can adapt the technique to use an array of vegetables and other ingredients.

Risotto with Asparagus is a good example of a risotto where the vegetables are pre-cooked and added near the end.  The same can be done with both peas and mushrooms, for example.

Risotto with Butternut Squash is an example of a risotto where the vegetables are added at the beginning and complete their cooking as the rice cooks.  Though you wouldn’t think it would work, Risotto with Zucchini works the same way, as long as the zucchini are cut into thick slices.


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In a traditional Italian meal, risotto, pasta, and soup are all considered the same course:  the first course (Il Primo Piatto).  The first course follows the antipasto (which means, literally, before the pasta).  Il Primo Piatto is followed by the second course (Il Secondo Piatto), consisting of fish, meat, or poultry and accompanied by several side dishes (contorni).  The first and second courses have almost equal weight in an Italian meal; very different from an American meal.

While restaurants often par-cook a risotto so that it can be quickly finished for service, I find that cooking a risotto at home is best done “in the moment.”  That means I only make risotto for a small group when everyone can hang out in the kitchen during the 45 minutes, or so, that it takes to cook.  That pretty much consumes the cocktail hour.  Because of this, for me, risotto is a dish for family or very close friends.


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Risotto isn’t something I grew up eating.  It is traditionally a Northern Italian dish.  I also don’t remember Auntie Helen, who was from Rome, making risotto either.

As with much of Northern Italian cooking, my first introduction was through Marcella Hazan’s The Classic Italian Cookbook.  Beyond that, my Italian repertoire grew based on trips to Italy, cooking with Italian friends, and ultimately, marrying into my husband’s very Northern Italian family.

Risotto with butternut squash is a wonderful dish for late fall and winter.


If you have a favorite family recipe and a bit of a story to tell, please email me at santafecook@villasentieri.com and we can discuss including it in the blog. I am expanding the scope of my blog to include traditional recipes from around the country and around the world. If you haven’t seen Bertha’s Flan or Melinda’s Drunken Prunes, take a look.  They will give you an idea of what I’m looking for.


It is important to use what the Italians would call “riso per risotto” (rice for risotto).  The rice used for risotto is short-grained.  It can absorb a lot of liquid, turning creamy in the process while still maintaining the ideal “al dente,” (toothy) quality at the very core.  The most commonly available types of rice for risotto are Arborio, Carnaroli, and Vialone Nano.   Far and away, Arborio is the most common.

Since creaminess is the goal, rice used for risotto shouldn’t be washed.  The little extra starch on the grains will improve the texture.

A well-made risotto gets almost all of its creamy texture from the cooking method, not from the addition of butter, cheese, or cream.  To be sure, a bit of butter and Parmigiano Reggiano cheese are almost always added at the end but this should be for flavor, not to compensate for poor technique.

My most common quibble with risotto made in the United States is that it is overly rich with butter and cheese and (heaven forbid) sometimes cream.

To coax creaminess out of the rice, broth is added in small amounts and completely cooked off before the next bit is added.  In general, the amount of broth I add each time is no more than 1/3 the quantity of rice I start with.  For example, if I’m using one cup of rice, I add no more than 1/3 cup of broth each time liquid is needed.  The rice should be stirred frequently, but not constantly.

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Risotto with Butternut Squash
Broth for risotto should be light in flavor, not a heavy stock. The broth should add the barest amount of background flavor but allow the other ingredients in the risotto to shine. Risotto uses a lot of broth. It is important that the broth have minimal salt so as not to result in an overly salty dish. I never salt my homemade broth for this reason. If it seems that you will run out of broth before the risotto has finished cooking, put some water on to heat. It is important that all liquid added to the risotto be at a simmer.
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Prep Time 15 minutes
Cook Time 45 minutes
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Ingredients
Prep Time 15 minutes
Cook Time 45 minutes
Servings
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Ingredients
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Instructions
  1. Bring the broth to a simmer.
  2. Meanwhile, heat a three or four quart heavy-bottomed saucepan over medium high heat. Add the olive oil.
  3. When the oil is hot, add the onion and garlic.
  4. Sauté, stirring frequently until the onion softens and turns translucent. Do not brown the onion. You may need to reduce the heat.
  5. When the onion is soft, return the heat to medium high and add the butternut squash.
  6. Sauté, stirring often, until the squash starts to soften, about five minutes. Be careful not to brown the onion or garlic.
  7. Add 1/3 cup of wine and immediately cover the pot. Cook another five minutes, stirring occasionally.
  8. Remove the cover and cook off any remaining wine.
  9. With the heat still on medium high, add the rice.
  10. Continue cooking, stirring frequently, until the outer portion of the rice becomes translucent while the inside remains opaque white.
  11. Add the remaining 2/3 cup of wine. Stir frequently, but not constantly, until the wine has totally evaporated. You will begin to see some starch leaching out of the rice. More and more of the starch will leach out as you cook the rice. This is what will make a creamy sauce, not a large quantity of butter, cheese, or cream.
  12. When the wine has evaporated, add a scant ½ cup of simmering broth. Stir thoroughly paying particular attention to loosening any spots where the starch seems to be sticking to the bottom of the pan. You don’t want to brown (or worse yet, burn) the starch.
  13. Stir frequently, but not constantly, until the broth has evaporated.
  14. If the broth is unsalted, as I recommend, you can add a teaspoon of salt to the rice as you begin to add broth. If the broth contains salt, I recommend not adding salt until the end.
  15. Keep repeating the process with a scant ½ cup of broth, cooking, stirring, and loosening any spots that are sticking until each addition of broth evaporates. The heat should stay as close as possible to medium high. The moderate boiling of the liquid will coax starch out of the rice to create the creaminess that is the hallmark of a good risotto.
  16. Add the sage after about 20 minutes of cooking.
  17. Begin tasting the rice for doneness at the same time. It will probably still be quite crunchy at the very core. Until you get the hang of it, I suggest testing a rice grain each time you add more broth so you develop a sense of how quickly the texture changes.
  18. Continue cooking, adding simmering broth or water as needed, until the rice is al dente. Once the rice is cooked, add another 1/2 cup of simmering broth, stir, and then immediately remove the rice from the heat.
  19. Off the heat, stir in the butter and Parmesan cheese.
  20. Stir in enough additional simmering broth or water to create a creamy “sauce.” The starch that you have coaxed out of the rice, plus the modest amount of butter and cheese, should allow you to add at least another ½ cup of liquid, possibly more.
  21. Taste and add salt and freshly ground black pepper to taste.
Recipe Notes

Check out the introduction to my recipe for Risotto with Asparagus for more information on making risotto.

Copyright © 2018 by VillaSentieri.com. All rights reserved.

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Polenta

July 24, 2017

Polenta isn’t traditionally a Southern Italian food.  It is a staple of Italy’s northern provinces, however.

I didn’t eat polenta until I was in college; the time of my greatest food exploration and experimentation.

Granted, Northern Italian food isn’t as far afield from the Southern Italian food I grew up with as are the Sri Lankan, Chinese, Bangladeshi, Filipino, and West Indian food that were a large part of my food exploration in college.

Even when I stayed within the bounds of European food, I could move close to the edge.

For example, my roommate worked in an anesthesia research lab.  Rabbit blood was used for experiments, so rabbit ended up on our menu regularly (as it did on the menus of other lab workers).  Those rabbits became the impetus for learning to make Hasenpfeffer the traditional way.

Read any Hasenpfeffer recipe now, and you will be instructed to marinate the rabbit in an acidic marinade in the refrigerator.  But refrigeration is a recent invention in the history of Hasenpfeffer.

My culinary endeavors at that point operated out of a six-foot-wide Pullman kitchen with an under-counter refrigerator in a dormitory apartment.  My roommate and I turned out major meals every day of the week.  We had two shopping days, one to the open-air Ninth Street market in Philadelphia (aka the “Italian Market”) and one to the Pathmark Supermarket in Broomall, PA.  The supermarkets around the University did not have the best selection or quality at that time.

Our little refrigerator was always packed like a jigsaw puzzle.  (Just ask my husband about my ability to pack a suitcase and it will give you some idea of how I packed that little fridge!)

That meant, however, that there was never any room to refrigerate a marinating rabbit.  I turned to the age-old method and marinated it at room temperature for two days before cooking it.  By the end of that year of college I turned out a pretty decent Hasenpfeffer.

Then there was the Guyanese version of an originally Portuguese dish, called Garlic Pork in Guyana.  Versions of the dish can still be found in Portugal and in former Portuguese-controlled areas like Goa in India.  In Guyanese Garlic Pork, cubes of pork are marinated in vinegar seasoned with lots of Scotch Bonnet peppers and thyme.  As you can imagine, given our refrigerator situation, the marinating took place at room temperature.

All this marinating happened in what were then (in the 1970’s) vintage British apothecary jars that I brought back from Guyana.  Every household in Guyana had one or more of these jars and they were the standard vessel for marinating Garlic Pork.  They also work well for Hasenpfeffer!

I still have these jars and really prize them.

Vintage British Apothecary Jars

Meat marinating in a jar can be pretty unobtrusive.  Not so a duck, head and feet intact, strung up from an eye hook in the ceiling!

My roommate’s mother, of Chinese heritage, sent us a sheaf of her recipes that she neatly typed out on onion skin paper.  (I still have them.)  One of the recipes was for a home-style version of Peking Duck.  The duck had to hang at room temperature for a day, being periodically lacquered with a mixture of soy sauce and other ingredients before roasting.  The duck, hung right inside the door, greeted visitors to our dormitory apartment for the better part of a day.

By comparison, learning to make Northern Italian food was pretty tame.  Enter Marcella Hazan (via her first cookbook) to teach me the basics.  She was demanding when it came to making polenta, insisting that it be stirred non-stop for 45 minutes.

Honestly, I did it that way until sometime in 1996 when my mother-in-law convinced me that constant stirring was not needed.  It’s much easier to make polenta if one just stirs periodically.  And the best thing is, it WORKS!

On a trip to Italy with my in-laws I bought a traditional unlined copper polenta pot.  I don’t know if it makes better polenta than an ordinary pot but I love using it.

My Unlined Copper Polenta Pot

The traditional implement for stirring polenta is a round wooden paddle.  On the left, below, is the one my mother-in-law’s father made for her.  On the right is a paddle I picked up at the Otovalo market in Ecuador more than 20 years ago.  I prefer it to the stick as it provides more “action” in the pot.  (Truth be told, my mother-in-law prefers it too!)

Implements for Stirring Polenta

While yellow and white cornmeal are traditional, in New Mexico I can get blue cornmeal which I like to use for its dramatic color.

Cornmeal should be gently showered into the boiling water while stirring.  Fine cornmeal tends to develop lumps more easily than coarse cornmeal.  In this video, I am using coarse cornmeal and can therefore add it more quickly.


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Polenta
In Italy, cornmeal used for polenta is either white or yellow. In New Mexico I have access to blue cornmeal. The blue cornmeal turns purple when cooked in unlined copper. It provides a nice contrast on the plate. There really are not many purple foods! I find that it takes more water to cook polenta at high altitude. I use 5 cups of water for every cup of cornmeal. At sea level 4 ½ cups would work fine. Coarse cornmeal takes a bit more water than fine cornmeal. Both are traditional. It is a matter of personal preference which to use. Polenta is traditionally accompanied by a dish that has a sauce. Sausage with Cardoons is a good choice. See the Notes section for a link to the recipe.
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Prep Time 5 minutes
Cook Time 50 minutes
Passive Time 15 minutes
Servings
people
Ingredients
  • 1 cup cornmeal coarse or fine, preferably artisanal
  • 4 1/2 to 5 cups water
  • 1 1/2 teaspoons salt
Prep Time 5 minutes
Cook Time 50 minutes
Passive Time 15 minutes
Servings
people
Ingredients
  • 1 cup cornmeal coarse or fine, preferably artisanal
  • 4 1/2 to 5 cups water
  • 1 1/2 teaspoons salt
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Instructions
  1. Bring water and salt to a boil in a saucepan that will give you plenty of room to stir.
  2. Slowly shower in the cornmeal, stirring all the while. You should basically be able to see the individual grains as you add the cornmeal. This will help to avoid lumps. If you notice a lump, stop adding cornmeal and stir vigorously to break up the lump. Using a wire whisk to vigorously stir the water while adding the cornmeal also helps to avoid lumps. After all the cornmeal is added, change to a sturdy wooden spoon.
  3. After all the cornmeal is added, cook at a moderately low boil for 45-60 minutes stirring often. Coarse cornmeal takes longer to cook than fine cornmeal. That said, 45 minutes should be the minimum cooking time. The flavor changes with extended cooking so don’t be tempted to treat polenta like grits and cook it briefly.
  4. If you find that the polenta is getting too stiff before the cooking time is up, add a little bit of BOILING water and stir well.
  5. When cooked, the polenta should be thick but pourable and definitely not runny.
  6. Pour into a shallow serving bowl or rimmed platter and serve immediately.
  7. A bowl of more traditional yellow polenta.
Recipe Notes

Click here for the recipe for Sausage with Cardoons.

Copyright © 2017 by VillaSentieri.com. All rights reserved.

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Risotto with Asparagus

May 29, 2017

Risotto is not a Southern Italian dish.  Neither is polenta, for that matter.

I never had either until college when I started cooking from Marcella Hazan’s The Classic Italian Cookbook published in 1973.  I still use the dog-eared copy I bought in college the year it was published.

It was a magnificent introduction to Northern Italian cooking which I knew little about as a kid of 18 from a small town in Western Pennsylvania in my sophomore year of college.

My knowledge of Northern Italian cooking expanded rapidly though.  Marcella was only the beginning.  There was a true restaurant renaissance in Philadelphia in the 1970’s.  Not only magnificent French restaurants like Le Bec Fin and La Panetiere, but wonderful Northern Italian restaurants like the Monte Carlo Living Room and a bevy of others whose names I can’t recall.  I ate at all of them…often.  I still remember one dinner at the Monte Carlo Living Room where, after being served a very simple spaghetti with garlic and oil, the waiter (they weren’t called servers back then) came by with a black truffle and shaved large quantities of it onto my pasta.  Heaven!

I also learned about Northern Italian cooking from the aunts of my college advisor Eugene (Gene) d’Aquili.  Well, it was Roman cooking, actually, which is in central Italy but still pretty far north from where my mother’s family hailed.

Auntie Helen (Zia Elena) and Auntie Louise (Zia Luigia) (they Anglicized their names after coming to America) were born in Rome in the early years of the 20th century.  They came to America as children.  Of the two, Auntie Helen was the cook.  From her I learned to make many classic Roman dishes.  Some of Auntie Helen’s dishes are slated to make it into the blog, including a Roman Chicken Cacciatore flavored with anchovies.

So, by the time I got absorbed into my husband’s Northern Italian family (his father is from Tuscany and his mother from Friuli) I had a good grasp of Northern Italian cooking.

We have risotto often.  Probably at least once every two weeks.  It’s usually made with a vegetable, though occasionally I’ll make Risotto alla Milanese flavored with saffron and not a vegetable in sight.  In the spring risotto usually includes asparagus or peas.  In the summer it is likely to be zucchini.  The fall brings butternut squash risotto and mushroom risotto.  Mushroom risotto pretty much carries us through the winter, too, with the occasional risotto made with meat sauce.

Since it’s spring, I’m doing risotto agli asparagi, risotto with asparagus.

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Risotto with Asparagus
Risotto is a classic Northern Italian dish. The goal is to have rice grains that are still al dente (but not crunchy) in the middle surrounded by a creamy liquid. More often than not I find that risotto served in America is overly rich with butter, cheese, and sometimes cream. An Italian-style risotto should be creamy from the starch in the rice, augmented with a very modest amount of butter and cheese. Risotto rice is a short grain rice that cooks slowly, making it much easier to achieve an al dente texture because it takes a while to actually overcook it. The three types of rice for risotto are Arborio, Carnaroli, and Vialone Nano. Arborio is the easiest one to find though the other two are more forgiving than Arborio when it comes to overcooking. I recommend buying good quality rice imported from Italy. It really isn’t priced that differently from domestic. Do not wash the rice. I don’t buy shallots unless I have a specific recipe in mind. Since risotto is often something that I make with little advance planning based on the fresh vegetables that are in my refrigerator, I usually use onion and garlic in place of shallot. I honestly don’t think one could reliably tell the difference so feel free to use onion and garlic as noted in the recipe if shallots aren’t handy.
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Prep Time 15 minutes
Cook Time 45 minutes
Servings
people
Ingredients
Prep Time 15 minutes
Cook Time 45 minutes
Servings
people
Ingredients
Votes: 0
Rating: 0
You:
Rate this recipe!
Instructions
  1. Trim off the tough bottom of the asparagus spears. The standard way to do this is to bend the spear and let it crack naturally where the spear is less tough and woody.
  2. Finely dice the shallot.
  3. Cut the tips off each spear, approximately the top 2 inches. Reserve the asparagus tips.
  4. Cut the remaining spears into 1 inch pieces. Reserve the cut spears separately from the tips.
  5. Bring the chicken broth to a boil.
  6. Cook the asparagus tips in chicken broth for 2-4 minutes. They should be “toothy” but not crunchy.
  7. Using a spider or large slotted spoon, remove the tips from the boiling broth and put them into a bowl of ice water to stop further cooking.
  8. Cook the cut asparagus spears in the chicken broth for 4-6 minutes. Like the tips, they should be toothy but not crunchy.
  9. Add the partially cooked cut spears to the ice water with the tips.
  10. Reduce the heat so the broth remains at a simmer.
  11. Heat a two or three quart heavy-bottomed saucepan over medium high heat. Add the olive oil.
  12. When the oil is hot, add the finely chopped shallot (or onion and garlic if you are using that instead).
  13. Sauté, stirring frequently until the shallot softens and turns translucent. Do not brown the shallot. You may need to reduce the heat.
  14. When the shallot is soft, return the heat to medium high and add the rice.
  15. Continue cooking, stirring frequently, until the rice starts to smell toasty. Do not brown the rice.
  16. The outer portion of the rice grains will get translucent while the inside will stay opaque white.
  17. Add the wine. Stir frequently, but not constantly, until the wine has totally evaporated. You will begin to see some starch leaching out of the rice. More and more of the starch will leach out as you cook the rice. This is what will make a creamy sauce.
  18. When the wine has evaporated, add a scant ½ cup of simmering broth. Stir thoroughly paying particular attention to loosening any spots where the starch seems to be sticking to the bottom of the pan. You don’t want to brown (or worse yet, burn) the starch.
  19. Stir frequently, but not constantly, until the broth has evaporated.
  20. If the broth is unsalted, as I recommend, you can add a teaspoon of salt to the rice as you begin to add broth. If the broth contains salt, I recommend not adding salt until the end.
  21. Keep repeating the process with a scant ½ cup of broth, cooking, stirring, and loosening any spots that are sticking until each addition of broth evaporates. The heat should stay as close as possible to medium high. The moderate boiling of the liquid will coax starch out of the rice to create the creaminess that is the hallmark of a good risotto.
  22. While the rice is cooking, drain the partially cooked asparagus.
  23. Begin tasting the rice after about 20 minutes of cooking. It will probably still be quite crunchy at the very core. Until you get the hang of it, I suggest testing a rice grain each time you add more broth so you develop a sense of how quickly the texture changes.
  24. When you think you’re only one or two additions of broth away from having perfectly al dente rice, add the partially cooked asparagus.
  25. Continue cooking, adding simmering broth or water as needed, until the rice is al dente.
  26. Remove the rice from the heat and stir in enough simmering broth or water to create a creamy “sauce.” The starch that you have coaxed out of the rice should absorb at least ½ cup of liquid, possibly more.
  27. Stir in the butter and Parmesan cheese. This will probably thicken the “sauce” so you will need to add a bit more simmering liquid to loosen it.
  28. Taste and add salt and freshly ground black pepper to taste.
  29. Serve immediately.
Recipe Notes

I think the standard method used to decide where to trim asparagus wastes too much.   For a quick tutorial on how I prep asparagus, check out my Preparing Asparagus post.

It will likely take more than 4 cups of broth to cook the rice. If you don’t have more broth, just use plain water. I do that very frequently. Except for the initial addition of wine, all liquid added to the risotto should be simmering.  As I’m getting near the end of the broth, I always put a couple of cups of water on to boil so that I have simmering water to add if needed.

Although the broth used for risotto should be flavorful, it should not be overly concentrated. The flavor of the asparagus should come through and not be muddled because the broth tastes assertively like chicken or herbs. Because you will be cooking down a fair amount of broth, it is best that it not be salted otherwise you run the risk of the risotto being too salty.

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